3 # Name of plugin followed by: and then description.
4 # Additional lines start with 2 tabs.
5 # Lines should be less than 70 characters long.
6 # For usage/readability, a period (.) creates space.
8 1080 to 480: Extracts 2 1920x540 fields from 1920x1080
9 image, resizes them separately, and
10 combines them to 1920x480 interlaced image.
11 1080 to 540: Extracts 2 1920x540 fields from 1920x1080,
12 image, resizes them separately, and
13 combines them to 1920x540 interlaced image.
14 AgingTV: Use to achieve an "old" movie or TV show
15 effect by adding moving lines and snow.
16 Auto Scale: Automatically scale to a specified size.
17 Blue Banana: Used for color transformation or remapping as
18 well as chroma-key filtering. Basic usage:
19 . Select a specifc target color.
20 . Create a selection region by expanding color.
21 . Optionally reduce or expand the alpha plane.
22 . Optionally apply a color remapping to selection.
23 . Optionally reset the output alpha to opaque.
24 1) choose your color, click Pick, check Mark Selected
25 2) modify selection in the Color Selection area
26 3) uncheck Mark Selected, and check Filter Active
27 4) adjust your color choice as desired
28 Blur: Blurs a video track in horizontal and/or
29 vertical in chosen color channels.
30 Brightness/Contrast: Use to change the brightness or
31 contrast, but could reduce quality.
32 BurningTV: Makes your video "burn" where there are
33 small light colored patches of video.
34 C41: Converts C-41 negative film to the positive image.
35 Chroma key: Erases pixels which match chosen color;
36 they are replaced to black if there is no alpha
37 channel and transparency if there is alpha.
38 Chroma key (HSV): Replaces a color with another color or
39 transparency using HSV variables.
40 Color 3 Way: Modify color of Shadows, Midtones, and Highlights as
42 Color Balance: Modify RGB colors or white balance to compensate
43 for errors in video such as low lighting.
44 CriKey: Regionally based chroma key with interpolation;
45 useful when you only want a specific zone defined.
47 Color button is used to specify the key by color.
48 Threshold slider is used to set tolerance (0-1).
49 Key mode choices let you pick the method by which
50 the chroma key will be defined.
51 . Search - point at a zone or spot to define
52 area then uses the specified tolerance to pick an
53 edge. A fill will be performed in that area.
54 . Point - the point is the Mask, not the color.
55 . (This method has drag capabilities).
56 . Search all - works same as standard Chroma key.
57 Draw mode options let you use
58 . Alpha - matching pixels replaced with see-thru.
59 . Edge to just outline the edges of the region.
60 . Mask - matching color pixels replaced by black.
61 Decimate: Drop frames from a track which are most similar
62 in order to reduce frame rate.
63 Deinterlace: Several selections of line replication to eliminate
64 comb artifacts in interlaced video.
65 Deinterlace-CV: Selection of deinterlacing mode for your video to
66 eliminate comb artifacts.
67 Delay Video: Delay the video by some number of seconds.
68 Denoise video: Clear the video of noise; specify R,G,B, or Alpha.
69 Difference key: Creates transparency in areas which are similar
70 between 2 frames; must be applied to 2 tracks.
71 DotTV: Puts various size dots over the picture to simulate
73 Downsample: Reduce the sie of an image by throwing out data,
74 reducing sampling rate.
75 Edge: Display only the edges of the video throughout the image.
76 Fields to frames: Reads frames at 2x the framerate, combining 2
77 input frames into 1 interlaced output frame.
78 Flip: Flip a portion of a video track from left to right,
79 up to down or vice versa.
80 Frames to Fields: Extracts 2 interlaced fields stored in alternating
81 lines & outputs them as full frames.
82 Freeze Frame: Lowest numbered frame in highlighted area will play
84 Gamma: Converts the logarithmic colors to linear colors
85 using gamma and maximum value.
86 Gradient: Overlays a smooth color gradient on top of every
88 Histogram: Shows the number of occurrences of each color on a
90 Histogram Bezier: Uses a Bezier curve (parametric) on the histogram plot.
91 HolographgicTV: Holographic tv effect.
92 Hue saturation: Use to change hue, saturation and value parameters.
93 Interpolate Pixels: Works only for float color models.
94 Interpolate Video: Create illusion of higher frame rate video of low
95 framesrates by averaging over time.
96 Inverse Telecine: Effective deinterlacing tool for use on a video
98 Invert Video: Method of reversing the colors of a video track.
99 Lens: Create the effect of looking through a lens.
100 Linear Blur: Blur with parameters of length, angle, # of steps,
101 and which channels. Does Linear, Radial, or Zoom.
102 Live Video: Reads video directly from the capture card input and
103 replaces any video on the track.
104 Loop video: Loop video by specifying the length of the region to loop.
105 Motion: Tracks translation and rotation motion to stabilize
107 Motion 2 Point: Motion stabilization using 2 pass tracking.
108 Motion Blur: Uses X/Y camera automation vectors to apply a linear
109 blur trailing camera direction.
110 Motion51: Compensates for unwanted motion and stabilizes the
111 image using a unique curve/spline algorithm. A reset
112 option for defaults helps as does OpenGL if available.
114 Samples - number of pixels which software uses
115 Draw vectors - demonstrates the search operation
116 Sample Radius - radius of circle denoting area of sample
117 Center X/Y - center position of the sample circle
118 Search W/H - determines width/height used for search
119 Horiz/Vert shake limit - uses as translation constraints
120 Shake fade - how fast translation cancellation fades
121 Twist limit - determines rotation constraints
122 Twist fade - how fast rotation cancellation fades away
123 Enable Tracking - caches search results for later use
124 Tracking file - name of file with calculate results
125 MotionCV: Motion tracking/stabilization from the community
126 version of cinelerra.
127 MotionHV: Motion tracking/stabilization from the original
129 Oil Painting: Makes video tracks appear as a painting.
130 Overlay: Combine tracks via an overlayer that puts images on
131 top of a bottom layer.
132 Perspective: Allows you to change the viewpoint of an object.
133 With left mouse button, you can drag the corner or:
135 Alt/Shift + Button1 Action:
136 . 0/0 Translate endpoint
138 . 1/0 Translate image
139 . 1/1 Translate view but does not change output.
141 The red colored lines in the box show the composer boundary.
142 Use the zoom slider which changes only the zoom view to see
143 if it goes off the screen. The slider goes from 1/100 to 100.
144 Polar: Bends and warps your video in weird ways based on conversion
145 from either polar coordinates to rectangular or vice-versa.
146 RGB - 601: Used to reduce/increase contrast in your video via
147 601 compression or RGB expansion.
148 RGBShift: Align 3 separate planes of R, G, B if misaligned in
149 the video or just shift for interest. Adjust via sliders.
150 Radial Blur: Creates a whirlpool based on settings that simulates
152 ReframeRT: Changes number of frames in a sequence of video
153 directly from timeline; has Stretch and Downsample modes.
154 Reroute: Selectively transfer the alpha channel or the
155 RGB/YUV components from source to target track.
156 Reverse video: Reverse media on the timeline in realtime.
157 Rotate: Rotate the video in degree increments around a
158 pivot point or reverse and flip the video.
159 SVG via Inkscape: Allow the manipulation of an SVG image with
160 Inkscape without having to exit the program.
161 Scale: Reduce or expand the image size depending on the ratio.
162 Scale Ratio: Manipulate your video to maintain the pixel aspect
163 ratio (proportional geometry). Change values on the
164 left and see the resuluts in the compositor window.
165 . In R,Out R - current input and output aspect ratios
166 . In W/H,Out W/H - current width and height
167 . Scale type of None,Scaled,Cropped,Filled,Horiz/Vert
168 Top aspect ratio data is used to compute bottom part.
169 Bottom part allows for repositioning the input/output.
170 Selective Temporal Averaging: Smooths out non-moving areas of a video
171 clip by averaging the color across frames.
172 Sharpen: Sharpen the video, either the luminance, horizontal,
174 ShiftInterlace: Shift the interlace lines using odd or even.
175 Swap Frames: Swap frames with 0-1, 2-3, 4-5... or 1-2, 3-4, 5-6...
176 Swap channels: Swap R,G,B,Alpha with another color channel.
177 Threshold: Converts the image to pure luminance and replaces
178 pixels with 1 of 3 colors.
179 Time Average: Use to create trail patterns, or reduce noise in still
180 images. A number of frames is accumulated and then
181 divided by a divisor to the the average.
182 TimeFront: Performs spatio-temporal video warping.
183 Title: Add text/timestamp/background pngs to video along with
184 the ability to drag to a location if Drag checked on.
185 Current text string limitation of 3071 characters.
186 Flexible attributes in textbox (mouse right click):
187 . color, font, alpha, size, png, bold, italic, blink,
188 . ul, caps, sup(super/sub script), fixed, nudge.
189 Special characters are <, >, \, /, # (see manual).
190 Translate: Allows displacing, cropping and/or scaling video
191 horizontally/vertically.
192 Unsharp: Applies a traditional darkroom technique, unsharp
193 mask, to every video frame.
194 VideoScope: Summarizes intensity and color on a calibrated display.
195 Wave: Generates waves in video using Amplitude, Phase, and
197 Whirl: Creates a whirl (spiral) of the video around the center.
198 YUV: Modify the Y, U, V settings.
199 YUV411: Modify the 411 yuv to look like 420 color space instead.
200 YUVShift: Realign the 3 sets of YUV input video numbers when they
201 are misaligned. Use slider bars to modify.
202 Zoom Blur: Blur the video and use a zoom effect.
204 # Description of FFmpeg Video Plugins
206 F_atadenoise: Apply an Adaptive Temporal Averaging Denoiser.
207 F_avgblur: Apply average blur filter.
208 F_bbox: Compute bounding box for each frame.
209 F_bench: Benchmarks part of a filtergraph.
210 F_bitplaneoise: Measure bit plane noise.
211 F_blackdetect: Detect video intervals that are (almost) black.
212 F_blackframe: Detect frames that are (almost) black.
213 F_boxblur: Blurs the input video.
214 Through the settings you are
215 able to change the power and the
216 radius of the boxblur applied to luma, chroma and alpha.
217 F_bwdif: Deinterlaces the input image.
218 F_chromakey: Turns a certain color into
219 transparency. Operates on YUV colors.
220 F_ciescope: Video CIE scope.
221 F_colorbalance: Adjusts the color balance.
222 F_colorchannelmixer: Adjusts colors by mixing color channels.
223 F_colorkey: Turns a certain color into
224 transparency. Operates on RGB colors.
225 F_colorlevels: Adjusts the color levels.
226 F_colormatrix: Converts color matrix.
227 F_cover_rect: Find and cover a user specified object.
228 F_crop: Crops the input video.
229 F_cropdetect: Auto-detect crop size
230 F_datascope: Video data analysis.
231 F_deband: Debands video.
232 F_deflate: Applies deflate effect.
233 F_dejudder: Removes judder produced by pullup.
234 F_delogo: Removes logo from input video.
235 When using this plugin a green box will appear on the
236 screen, once the logo is inside the box the
237 plugin will hide it. Through the settings you can specify
238 the position of the logo to hide (on a X-Y axis)
239 and the size of the box (so you can adjust it to the
241 F_deshake: Stabilizes shaky video.
242 F_dilation: Applies dilation effect.
243 F_drawbox: Draws a colored box on the input video.
244 Through the settings you are able to choose the
245 position of the box on X and Y coordinates,
247 the color and the thickness of the lines.
248 F_drawgraph: Draw a graph using input video metadata.
249 F_drawgrid: Draws a colored grid on the input video.
250 Through the settings you can select the
251 horizontal and the vertical offset,
252 set the width and height of
253 the grid cell, and the color and
254 thickness of the lines.
255 F_edgedetect: Detects and draws edge.
256 F_elbg: Apply posterize effect, using the ELBG algorithm.
257 F_eq: Adjusts brightness, contrast, gamma and saturation.
258 F_erosion: Applies erosion effect.
259 F_fade: Fade in/out input video.
260 F_fftfilt: Apply arbitrary expressions to pixels in frequency domain.
261 F_field: Extract a field from the input video.
262 F_fieldorder: Set the field order.
263 F_framerate: Upsamples or downsamples progressive
264 source between specified frame rates.
265 F_fspp: Applies Fast Simple Post-processing filter.
266 F_gblur: Apply Gaussian Blur filter.
267 F_gradfun: Debands video quickly using gradients.
268 F_hflip: Horizontally flips the input video.
269 F_histeq: Applies global color histogram equalization.
270 F_histogram: Computes and draws a histogram.
271 F_hqdn3d: Applies a High Quality 3D Denoiser.
272 F_hqx: Scales the input by 2,
273 3 or 4 using the hq*x magnification algorithm.
274 F_hue: Adjust the hue and saturation of the input video.
275 F_idet: Interlace detect Filter.
276 F_il: Deinterleaves or interleaves fields.
277 F_inflate: Applies inflate effect.
278 F_interlace: Convert progressive video into interlaced.
279 F_kerndeint: Applies kernel deinterlacing to the input.
280 F_lenscorrection: Rectifies the image by correcting for lens distortion.
281 F_loop: Loops video frames.
282 F_lut: Compute and apply a lookup
283 table to the RGB/YUV input video.
284 F_lutrgb: Compute and apply a lookup table to the RGB input video.
285 F_lutyuv: Combine and apply a lookup table to the YUV input video.
286 F_mcdeint: Applies motion compensating deinterlacing.
287 F_mestimate: Generate motion vectors.
288 F_mpdecimate: Remove near-duplicate frames.
289 F_negate: Negates input video.
290 F_nlmeans: Non-local means denoiser.
291 F_noise: Adds noise to the video.
292 Through the settings you can
293 select the variables of the noise
294 (strength, flag and seed).
295 F_owndenoise: Denoises using wavelets.
296 F_perms: Set permissions for the output video frame.
297 F_perspective: Corrects the perspective of video.
298 F_phase: Phases shift fields.
299 F_pp: Filters video using libpostproc.
300 F_pp7: Applies Postprocessing 7 filter.
301 F_prewitt: Apply prewitt operator.
302 F_readeia608: Read EIA-608 Closed Caption codes from
303 input video and write them to frame metadata.
304 F_readvitc: Reads vertical interval
305 timecode and writes it to frame metadata.
306 F_realtime: Slows down filtering to match realtime.
307 F_removegrain: Removes grain.
308 F_repeatfields: Hard repeat fields based on MPEG repeat field flag.
309 F_rotate: Rotates the input image.
310 F_sab: Applies shape adaptive blur.
311 F_separatefields: Split input video frames into fields.
312 F_showinfo: Show textual information for each video frame.
313 F_shuffleframes: Shuffles video frames.
314 F_shuffleplanes: Shuffles video planes.
315 F_signalstats: Separates statistics from video analysis.
316 F_smartblur: Blurs the input video without impacting
317 the outlines. Through the settings you can
319 the strength and the threshold of luma and chroma.
320 F_sobel: Applies sobel operator.
321 F_spp: Applies a simple post processing filter.
322 F_stereo3d: Converts video stereoscopic 3D view.
323 F_super2xsai: Scales the input by 2x using
324 the Super2xSal pixel art algorithm.
325 F_swaprect: Swaps 2 rectangular objects in video.
326 F_swapuv: Swaps U and V components.
327 F_tinterlace: Performs temporal field interlacing.
328 F_transpose: Transposes input video.
329 F_uspp: Applies Ultra Simple/Slow Post-processing filter.
330 F_vaguedenoiser: Applies a Wavelet based Denoiser.
331 F_vectorscope: Video vectorscope.
332 F_vflip: Flips the input video vertically.
333 F_vignette: Makes or reverses a vignette effect.
334 Through the settings you can set the circle center
335 position on a X-Y axis,choose the angle,
336 the aspect and set the dithering of the vignette.
337 F_w3dif: Applies Martin Weston three field deinterlace.
338 F_waveform: Video waveform monitor.
339 F_weave: Weaves input video fields into frames.
340 F_xbr: Scales the input using xBR algorithm.
341 F_yadif: Deinterlaces the input image.
342 F_zoompan: Applies Zoom & Pan effect.
344 # Description of FFmpeg Audio Plugins
346 F_abench: Benchmark part of a filtergraph.
347 F_acompressor: Audio compressor.
348 F_acrusher: Reduces audio bit resolution.
349 F_adelay: Delays one or more audio channels.
350 F_aecho: Adds echoing to the audio.
351 F_aemphasis: Audio emphasis.
352 F_aeval: Filters audio signal according to a specific expression.
353 F_afade: Fades in/out input audio.
355 F_allpass: Applies a two-pole all-pass filter.
356 F_aloop: Loops audio samples.
357 F_anoisesrc: Generates a noise audio signal.
358 F_aperms: Set permissions for the output audio frame.
359 F_aphaser: Adds a phasing effect to the audio.
360 F_arealtime: Slows down filtering to match realtime.
361 F_aresample: Resamples audio data.
362 F_astats: Shows time domain statistics about audio frames
363 F_atempo: Adjusts audio tempo.
364 F_atrim: Pick one continuous section from the input, drop the rest.
365 F_bandpass: Applies a two-pole Butterworth band-pass filter.
366 F_bandreject: Applies a two-pole Butterworth band-reject filter.
367 F_bass: Boosts or cuts lower frequencies.
368 F_biquad: Applies a biquad IIR filter with the given coefficents.
369 F_chorus: Adds a chorus effect to the audio.
370 F_compand: Compresses or expands audio dynamic range.
371 F_compensationdelay: audio compensation delay line.
372 F_crystalizer: Simple Expand Audio Dynamic Range filter.
373 F_dcshift: Applies a DC shift to the audio.
374 F_dyaudnorm: Dynamic Audio Normalizer. When using this plugin,
375 be sure to “attach effect” to all audio tracks by dragging
376 the plugin to the 1st audio track and then right mouse
377 clicking all subsequent audio tracks which brings up an menu.
378 Highlight the effect shown in the middle section and click OK.
379 F_earwax: Widens the stereo image. When using this plugin,
380 be sure to “attach effect” to all audio tracks by dragging
381 the plugin to the 1st audio track and then right mouse
382 clicking all subsequent audio tracks which brings up an menu.
383 Highlight the effect shown in the middle section and click OK.
384 F_equalizer: Applies two-pole peaking equalization (EQ) filter.
385 F_extrastereo: Increases difference between stereo audio
386 channels. When using this plugin, be sure to
387 “attach effect” to all audio tracks by dragging
388 the plugin to the 1st audio track and then right mouse
389 clicking all subsequent audio tracks which
390 brings up an menu. Highlight the effect shown in the
391 middle section and click OK.
392 F_flanger: Applies a flanging effect to the audio.
393 F_highpass: Applies a high-pass filter with 3dB point frequency.
394 F_loudnorm: EBU R128 loudness normalization.
395 F_lowpass: Applies a low-pass filter with 3dB point frequency.
396 F_silenceremove: Removes silence.
397 F_sine: Generate sine wave audio signal.
398 F_stereotools: Applies various stereo tools. When using this plugin,
399 be sure to “attach effect” to all audio tracks by dragging
400 the plugin to the 1st audio track and then right mouse
401 clicking all subsequent audio tracks which brings up an menu.
402 Highlight the effect shown in the middle section and click OK.
403 F_stereowiden: Applies stereo widening effect. When using this plugin,
404 be sure to “attach effect” to all audio tracks by dragging
405 the plugin to the 1st audio track and then right mouse
406 clicking all subsequent audio tracks which brings up an menu.
407 Highlight the effect shown in the middle section and click OK.
408 F_treble: Boosts or cuts upper frequencies.
409 F_tremolo: Applies tremolo effect.
410 F_vibrato: Applies vibrato effect.
411 F_volume: Change input volume.
415 AM pitchshifter: runs a single write pointer and two read pointers
416 over a ringbuffer. The output is faded between the
417 two readpointers according to the sine of the distance
418 from the write pointer. The design is based on the
419 mechanism of a mechanical pitchshifter.
420 Aliasing: Effect that causes different signals to become aliases
421 of one another when sampled..
422 #Allpass delay line, cubic spline interpolation:
423 #Allpass delay line, linear interpolation:
424 #Allpass delay line, noninterpolating:
425 Analogue Oscillator: Simulates the output you get from an analogue synth's
426 oscillators. You can get a reasonable emualtion of a 303's square.
428 Artificial latency: used to correct for latency between channels.
429 Audio Divider (Suboctave Generator): Reduces the period of the signal by
430 the factor given, and makes it a square wave in the process.
431 Has some amplitude tracking capability.
432 AudioScope: Convert input audio to video output representing the
433 audio power spectrum. Shows you the sound wave.
435 Barry's Satan Maximiser: Compresses signals with a very short attack and
436 decay, infinite ratio and hard knee. Gives good harsh
437 (non-musical) distortion.
438 Bode frequency shifter: A popular analogue synth module, it works by
439 shifting all the frequencies of an input signal up or
440 down by a specified frequency
441 Bode frequency shifter (CV): Controls the frequency shift applied to
442 the input signal, in KHz.
443 Chebyshev distortion: Interesting distortion effect that is seeded
444 from incoming signal envelope.
445 Comb Filter: Controls the distance between the filters peaks.
446 Comb Splitter: Divides the input up into two parts with frequency
447 peaks at f Hz intervals, skewed by f/2 Hz between
449 #Comb delay line, cubic spline interpolation:
450 #Comb delay line, linear interpolation:
451 #Comb delay line, noninterpolating:
452 Compressor: Lessen the dynamic range between the loudest and quietest
453 parts of an audio signal by boosting the quieter signals
454 and attenuating the louder signals.
455 Constant Signal Generator: Add an output DC offset at the given amplitude
456 to the input signal. It has no real use other than for
457 debugging and in modular synths.
458 Crossfade: Controls the degree to which the inputs are mixed into
459 the output. Value of -1 means that the output is just
460 the A input, and a value of 1.0 means it is just the B.
461 Crossfade (4 outs): Controls the degree to which the inputs are mixed
462 into the output. Value of -1 means the output is just
463 the A input, and a value of 1.0 means it is just the B.
464 Crossover distortion: Simulation of the distortion that happens in class
465 B and AB power amps when the signal crosses 0.
466 DC Offset: Remove DC Offset, which is usually an undesirable
467 characteristic of a recording normally caused by
468 defective equipment. (Has no controls)
469 DC Offset Remover: Remove DC Offset, which is usually an undesirable
470 characteristic of a recording normally caused by
472 DJ EQ: 3-band Equalization - Hi-Mid-Lo.
475 Decimator: Reduces the effective sample rate, and reduces the
476 bit depth of the input signal.
477 Declipper: Removes clicks from input signals.
478 Delay audio: Delay the audio by a specified time offset.
480 Denoise: Reduce audio background noise.
481 DenoiseFFT: Noise removal from audio using FFT editing.
482 Despike: Detect and eliminate out of range impulse values.
483 Diode Processor: Mangles the signal as if it had been passed through
484 a diode rectifier network.
485 Dyson compressor: Compress peaks to reduce dynamic range and create
486 room to increase audio levels
487 EQ Graphic: Graphic equalizer which sets the output levels for
488 specified frequency bands.
489 EQ Parametric: Parametric equalizer to show and output levels for
490 frequency, quality, level, mode, and wetness.
491 Echo: Add echo - reflection of sound - for effect.
492 . Level represents the volume adjustment
493 . Atten is the reflected output level
494 . Offset is the lag in the attenuated echo signal
495 EchoCancel: Removes echoes from audio to improve the quality.
496 Detects and removes time delayed reflections.
497 Exponential signal decay: Time for the echoes to decay by 60 DCBs.
499 Fast Lookahead limiter: A limiter with an attack time of 5ms. It adds
500 just over 5ms of lantecy to the input signal, but
501 guarantees no signals over the limit, and tries to
502 get the minimum amount of distortion.
503 Fast overdrive: Compresses the extreme peaks to make a sound similar
504 to an overdriven amplifier.
505 Flanger: Digital flanger implementation. Uses excursion,
506 controlled bandwidth modulation function, which makes
507 the modulation less repetitive and noticable.
508 Foldover distortion: Uses a sine wave approximation to simulate
509 valve style foldover distortion.
510 Fractionally Addressed Delay Line: Fixed ring buffer delay implementation.
511 Has different dynamics than a normal delay
512 Freeverb: Adds effect of multiple decaying echoes to audio
513 signals based on a specific algorithm. Common use
514 of reverb is simulate music played in a closed room.
515 Frequency tracker: Controls the level of damping applied to the output.
516 High values make the frequency output jump around,
517 low values make it a bit slow to respond.
518 GLAME Butterworth Highpass: Cuts off frequencies below a certain point.
519 GLAME Butterworth Lowpass: Cuts off frequencies above a certain point.
520 GSM simulator: Encodes and decodes signal using the GSM voice
521 compression system. Has the effect of making it sound
522 like being sent over a European mobile phone network.
523 GVerb: A mono In, stereo Out reverb implementation.
524 Gain: Add gain, input level, to increase/decrease loudness.
526 Giant flange: A normal flanger with excessively long delay times.
527 Glame Bandpass Analog Filter: IIR bandpass filter modeled after a
529 Glame Bandpass Filter: Allows you to tweak the number of stages used
530 for filtering. Every stage adds two more poles, which
531 leads to a steeper dropoff.
532 #Glame Butterworth X-over Filter:
533 Glame Highpass Filter: IIR highpass filter allows you to tweak the
534 number of stages used for filtering. Every stage adds
535 2 more poles, which leads to steeper dropoff.
536 #Glame Lowpass Filter:
537 Gong beater: Simulates the action of a beator on a gong surface,
538 used to trigger the gong physical model.
539 Gong model: Physical model of a metal gong.
540 Hard Limiter: Brick hard limiter with residue mixer.
541 Harmonic generator: Allows you to add harmonics and remove the
542 fundamental from any audio signal.
543 Hermes Filter: Simulation of a modern analogue synth called a Pro Tone,
544 Higher Quality Pitch Scaler: Pitch shifter implementation that scales
545 the harmonics appropriately with the base frequencies.
546 Hilbert transformer: Phase shifts the input signal by 90 degrees. It
547 outputs the 90 degree phase shifted signal and the
548 unshifted signal, both delayed by an equal amount.
549 Impulse convolver: Convolver for a set of short impulses which have to
551 Interpolate: Generate a smooth curves based on sound - currently,
552 does not appear to work. (Has no controls).
553 Invert Audio: Reverses the numerical sign of the digital audio.
555 Inverter: Utility plugin that inverts the signal.
556 Karaoke: Attempts to strip the vocals from a stereo signal.
557 L/C/R Delay: A left/center/right delay with feedback
559 LS Filter: Filter similiar to the filter used in giga sampler.
560 Live Audio: Reads audio directly from the soundcard input,
561 replacing any audio on track.
562 Loop audio: Loop some number of samples of audio over and over.
563 Mag's Notch Filter: Allows you to tweak the number of stages used for
564 filtering. Every stage adds two more poles, which
565 leads to a steeper dropoff.
566 Matrix Spatialiser: Simple spatializer to control the width of a
568 #Matrix; MS to Stereo:
569 #Matrix; Stereo to MS:
570 Modulatable delay: A delay whose tape is modulated at audio rate.
571 Mono to Stereo splitter: Takes mono input signal, and outputs it to
572 both left and right channel.
573 Multiband EQ: Multiband graphical equalizer implemented using FFT.
574 Multivoice Chorus: Implementation of a Multivoice chorus algorithm,
575 using a sync based noise interpolation method to
576 produce a modulation law making it possible to have
577 many voices without the metallic, artificial sound.
578 #Nonbandlimited single-sample impulses (Frequency; Control):
579 Overlay: Overlay Top or Bottom track in Add/Multiply mode.
580 Pitch Scaler: Pitch shifter implementation that scales the harmonics
581 appropriately with the base frequencies.
582 Pitch shift: Uses FFT to try to change the pitch without
583 changing the duration.
584 Plate reverb: Physical model of a steel plate reverb. It uses 8
585 linear waveguides to model the plate.
586 Pointer cast distortion: Distortion is created by treating the floating
587 point repesentation of the input signal as a 0.32 1's
588 complement fixed point integer. Not musical but still
589 recognizable. Makes interesting noises.
590 Rate shifter: Stretches or compresses the input with a ringbuffer.
591 Remove Gaps: Remove silent gap (below DB threshold) which persist
592 for more than the time limit.
593 ResampleRT: Allows you to convert an audio file from one
594 sample rate to another.
595 Retro Flanger: Model of someone flanging the input. Models the tape
596 saturation effects and frequency smear of a manual
597 flanger. Results are distorted, but more subtle
598 flanger sound than you get from a digial flanger.
599 Reverb: Reflections of sound to add depth and fullness.
600 Simulates creation of a large number of reflections
601 (lots of walls) which build up and then decay.
602 Reverse Delay (5s max): A reverse delay.
603 Reverse audio: Play the audio backwards.
604 Ringmod with LFO: Simple ring modulator and LFO.
605 Ringmod with two inputs: Simple 2 input ring modulator.
606 SC1: High quality RMS compressor designed for musical work.
607 SC2: Compressor with sidechain.
608 SC3: Stereo compressor with sidechain input.
609 SC4: Stereo compressor with variable envelope follower for
611 SC4 mono: Mono compressor with variable envelope follower for
613 SE4: Stereo expander with variable envelope follower for
615 Signal sifter: Sorts and mixes blocks of the input signal to give a
616 bumpy ramp effect. Can produce some interesting noises.
617 Simple amplifier: Controls the gain of the input signal in dB's.
618 #Simple delay line, cubic spline interpolation:
619 #Simple delay line, linear interpolation:
620 #Simple delay line, noninterpolating:
621 Sine + cosine oscillator: Simple oscillator that outputs sinewaves
622 with a 90 degree phase shift between them.
623 Single band parametric: A single band of a parametric filter.
624 Sinus wavewrapper: Produces unusual distortion, for amp like tone.
626 SoundLevel: Displays the Max/RMS sound level in decibels.
627 Spectrogram: Visual representation of the sound levels at
628 specified frequencies as they vary with time.
629 State Variable Filter: Oversampled state variable filter with tweaks.
630 Step Demuxer: Inputs up to 8 signals and switches between them on
631 output when the signal on the clock input goes high.
632 Surround matrix encoder: Allows you to encode 4 channels of sound into
633 a stereo compatible stream that will be decoded by a
634 Dolby1 Surround/Pro-Logic decoder into Left, Right,
635 Center and Surround signals.
636 Synthesizer: Generate synthesizer sounds; to set key data, turn on
637 Generate keyframes while tweeking.
638 Tape Delay Simulation: Models the tape motion and some smear effect,
639 Time Stretch RT: Change the speed of an audio signal without affecting
642 #Triple band parametric with shelves:
644 Valve saturation: Model of valve (tube) distortion, lacking some of
645 the harmonics you would get in a real tube amp.
646 Vocoder: A category of voice codec that analyzes and synthesizes
647 the human voice signal for audio data compression,
648 multiplexing, voice encryption, voice transformation,+.
649 VyNil (Vinyl Effect): Sounds like it is being played from a record.
650 Wave Terrain Oscillator: x and y move the cursor around on a 2D
651 landscape wavetable used to generate the output.
652 z-1: Implements the z-1 function - a single sample delay.
654 # Transitions - Audio and Video
656 Crossfade: Creates a smooth transition from one audio source
657 edit to another. The crossfade has the first
658 source fade out while the second fades in.
659 BandSlide: Bands slide across video and you see the image slide.
660 BandWipe: Bands wipe across the video and you see the mask slides.
661 Dissolve: A soft dissolve transition between two video segments,
662 The left segment turns more transparent while at the
663 same time the right segment materializes into place.
664 Flash: The video flashes when transitioning between segments.
665 IrisSquare: Video switches segments via a small rectangular view
666 that gradually grows to full size.
667 Shape Wipe: Wipe a specific shape across the video. Available
668 shapes are: burst, circle, clock, heart, specks, spiral,
670 Slide: Image slides into view - can set: Left/Right/In/Out.
671 Wipe: Wipe the image across screen starting left or right.
672 Zoom: Zoom out video at X/Y magnification for some seconds.
projects / goodguy / history.git / blob