X-Git-Url: https://git.cinelerra-gg.org/git/?a=blobdiff_plain;f=parts%2FAdvanced.tex;h=1fcb545cb0a2558841bd61f7dc7fe0b3391b5cb0;hb=18c6fb015ed4409ffe760a9d91a0f5934f2927ce;hp=b056b2cf8197b29db2dd4ecbd878530dc4c5f874;hpb=aab265ea5351fbaf460bfbc5e0be1e32025c01cc;p=goodguy%2Fcin-manual-latex.git diff --git a/parts/Advanced.tex b/parts/Advanced.tex index b056b2c..1fcb545 100644 --- a/parts/Advanced.tex +++ b/parts/Advanced.tex @@ -42,7 +42,7 @@ The Proxy icon is a toggle button so that you just click on the icon to change m \begin{table}[ht] \centering - \begin{tabular}{|p{2.5cm}|p{3.2cm}|p{3.2cm}| p{3.2cm}|} + \begin{tabular}{|p{2.5cm}|p{3.2cm}|p{3.2cm}|p{3.2cm}|} \hline {\footnotesize\textbf{Proxy State}} & {\footnotesize\textbf{Rescaled to project size (FFMPEG only)}} & {\footnotesize\textbf{Proxy icon for themes: Cakewalk/ Neophyte}} & {\footnotesize\textbf{Proxy icon for themes: the Others}}\\ @@ -249,6 +249,11 @@ The BIGGEST gain from using this is if you have media that is not \textit{seekab Another important function of Transcode is being able to convert the project's media into a high-quality \textit{mezzanine} codec \index{mezzanine codec} (sometimes also called \textit{intermediate} codec \index{digital intermediate}), which makes timeline work lighter and more efficient. In fact such codecs (ffv1, ProRes, DNxHD, OpenEXR, huffyuv, etc) are generally little or not at all compressed; the type of compression is intraframe --more suitable for editing, and the image quality (4:2:2 up; 10-bit color up; floating point; etc) is suitable for \textit{Color Correction}, \textit{Chroma Key} and \textit{Rotoscoping}. The use of mezzanine codecs leads to very large files, so you need to make sure you have enough storage space. +\paragraph{NOTE:} \CGG{} cannot do \textit{remuxing} without transcoding. For remuxing only, use \textit{ffmpeg} as shown in the following script. First move to the folder containing the files to be remuxed; the script takes all video files of a certain extension (in the following example \texttt{avi}) from the folder and its subfolders and makes a remux in a new container (in this example \texttt{mkv}) inside the new folder \texttt{remux}. The internal codec will remain the original one. Here is an example script: + +\begin{lstlisting}[numbers=none] + for f in $(find . -name '*.avi'); do ffmpeg -i "$f" -c:v copy -c:a copy "remux/{f%.*}.mkv "; done +\end{lstlisting} \section{OpenEDL}% \label{sec:openedl} @@ -348,7 +353,7 @@ shown. In summary: Media folder of Resources window & Open EDL for Nested or Referenced EDLs\\ Clip folder of Resources window & Open EDL for clips\\ Track timeline & Open EDL for Nested or Referenced EDLs\\ - \bottomrule + \hline \end{tabular} \end{center} @@ -558,46 +563,42 @@ rest == p+=c: for rest of clips \end{lstlisting} \renewcommand{\arraystretch}{1.15} -\begin{center} - %\caption{} - %\label{tab:} - % Tell table to adjust font to fix on the page using \resize - \begin{longtable}{lllll} - \toprule - & & \textbf{Drag Left} & \textbf{Drag Right} &\\ - \midrule - \multicolumn{2}{l}{\textit{curr s += c, l -= c; + rest}} & $\leftarrow$ & $\rightarrow$ & \textit{rest}\\ - abc12345xyz & \textbf{Ripple} left edge 11 $\rightarrow$ & abc012345xyz & abc2345xyz &\\ - \midrule - \multicolumn{2}{l}{\textit{curr l += c; + rest}} & $\leftarrow$ & $\rightarrow$ & \textit{rest}\\ - abc12345xyz & \textbf{Ripple} right edge 01 $\rightarrow$ & abc1234xyz & abc123456xyz &\\ - \midrule - \multicolumn{2}{l}{\textit{prev l += c; curr ps+= c, l -= c}} & $\leftarrow$ & $\rightarrow$ &\\ - abc12345xyz & \textbf{Roll} left edge 00 $\rightarrow$ & ab012345xyz & abcd2345xyz &\\ - \midrule - \multicolumn{2}{l}{\textit{curr l += c; next ps+= c, l -= c}} & $\leftarrow$ & $\rightarrow$ &\\ - abc12345xyz & \textbf{Roll} right edge 00 $\rightarrow$ & abc1234wxyz & abc123456yz &\\ - \midrule - \multicolumn{2}{l}{\textit{s -= c}} & $\leftarrow$ & $\rightarrow$ &\\ - abc12345xyz & \textbf{Slip} left edge 10 $\rightarrow$ & abc23456xyz & abc01234xyz &\\ - \midrule - \multicolumn{2}{l}{\textit{s -= c}} & $\leftarrow$ & $\rightarrow$ &\\ - abc12345xyz & \textbf{Slip} right edge 10 $\rightarrow$ & abc23456xyz & abc01234xyz &\\ - \midrule - \multicolumn{2}{l}{\textit{prev l += c; curr p+= c; next ps += c, l -= c}} & $\leftarrow$ & $\rightarrow$ &\\ - abc12345xyz & \textbf{Slide} left edge 10 $\rightarrow$ & ab012345wxyz & abcd12345yz &\\ - \midrule - \multicolumn{2}{l}{\textit{prev l += c; curr p+= c; next ps += c, l -= c}} & $\leftarrow$ & $\rightarrow$ &\\ - abc12345xyz & \textbf{Slide} right edge 10 $\rightarrow$ & ab12345wxyz & abcd12345yz &\\ - \midrule - \multicolumn{2}{l}{\textit{curr s -+= c, l += c; + rest}} & $\leftarrow$ & $\rightarrow$ & \textit{rest}\\ - abc12345xyz & \textbf{Edge} left edge 11 $\rightarrow$ & abc2345xyz & abc0123456xyz &\\ - \midrule - \multicolumn{2}{l}{\textit{curr l -+= c; + rest}} & $\leftarrow$ & $\rightarrow$ & \textit{rest}\\ - abc12345xyz & \textbf{Edge} right edge 01 $\rightarrow$ & abc1234xyz & abc123456xyz &\\ - \bottomrule - \end{longtable} -\end{center} + +\begin{longtable}{lllll} + \toprule + & & \textbf{Drag Left} & \textbf{Drag Right} &\\ + \midrule + \multicolumn{2}{l}{\textit{curr s += c, l -= c; + rest}} & $\leftarrow$ & $\rightarrow$ & \textit{rest}\\ + abc12345xyz & \textbf{Ripple} left edge 11 $\rightarrow$ & abc012345xyz & abc2345xyz &\\ + \midrule + \multicolumn{2}{l}{\textit{curr l += c; + rest}} & $\leftarrow$ & $\rightarrow$ & \textit{rest}\\ + abc12345xyz & \textbf{Ripple} right edge 01 $\rightarrow$ & abc1234xyz & abc123456xyz &\\ + \midrule + \multicolumn{2}{l}{\textit{prev l += c; curr ps+= c, l -= c}} & $\leftarrow$ & $\rightarrow$ &\\ + abc12345xyz & \textbf{Roll} left edge 00 $\rightarrow$ & ab012345xyz & abcd2345xyz &\\ + \midrule + \multicolumn{2}{l}{\textit{curr l += c; next ps+= c, l -= c}} & $\leftarrow$ & $\rightarrow$ &\\ + abc12345xyz & \textbf{Roll} right edge 00 $\rightarrow$ & abc1234wxyz & abc123456yz &\\ + \midrule + \multicolumn{2}{l}{\textit{s -= c}} & $\leftarrow$ & $\rightarrow$ &\\ + abc12345xyz & \textbf{Slip} left edge 10 $\rightarrow$ & abc23456xyz & abc01234xyz &\\ + \midrule + \multicolumn{2}{l}{\textit{s -= c}} & $\leftarrow$ & $\rightarrow$ &\\ + abc12345xyz & \textbf{Slip} right edge 10 $\rightarrow$ & abc23456xyz & abc01234xyz &\\ + \midrule + \multicolumn{2}{l}{\textit{prev l += c; curr p+= c; next ps += c, l -= c}} & $\leftarrow$ & $\rightarrow$ &\\ + abc12345xyz & \textbf{Slide} left edge 10 $\rightarrow$ & ab012345wxyz & abcd12345yz &\\ + \midrule + \multicolumn{2}{l}{\textit{prev l += c; curr p+= c; next ps += c, l -= c}} & $\leftarrow$ & $\rightarrow$ &\\ + abc12345xyz & \textbf{Slide} right edge 10 $\rightarrow$ & ab12345wxyz & abcd12345yz &\\ + \midrule + \multicolumn{2}{l}{\textit{curr s -+= c, l += c; + rest}} & $\leftarrow$ & $\rightarrow$ & \textit{rest}\\ + abc12345xyz & \textbf{Edge} left edge 11 $\rightarrow$ & abc2345xyz & abc0123456xyz &\\ + \midrule + \multicolumn{2}{l}{\textit{curr l -+= c; + rest}} & $\leftarrow$ & $\rightarrow$ & \textit{rest}\\ + abc12345xyz & \textbf{Edge} right edge 01 $\rightarrow$ & abc1234xyz & abc123456xyz &\\ + \bottomrule +\end{longtable} \renewcommand{\arraystretch}{1} Next, a more immediate and colorful view shows these trimming @@ -865,7 +866,7 @@ Figure~\ref{fig:multicam01} shows 9 media sources in the left corner, the compos \subsubsection*{But, I want to use only the first set of audio tracks\dots}% \label{ssub:but_use_only_first_audio} -There are many cases where you may want to compose using media from several different tracks while using the the same audio tracks as associated from a specific viewer. Since mixer source tracks can be updated any time by using a mixer toggle \index{mixers!toggle}, this makes it possible to do this. +There are many cases where you may want to compose using media from several different tracks while using the the same audio tracks as associated from a specific viewer. Since mixer source tracks can be updated any time by using a mixer toggle\index{mixers!toggle}, this makes it possible to do this. Procedure to update the mixer audio source track list: