\item[Fader slider] fade values are represented on the timeline with a pink curve that is keyframable. All tracks have a fader, but the units of each fader depend on whether it is audio or video. Audio fade values are in dB. They represent relative levels, where 0 is the unaltered original sound level, -40 is silence, -80 the minimum value set by default. You can move fader and keyframes down to -80 but the parameter's curve won't go below -40. For your convenience you can set a different fade range with the curve zoom. Audio fader’s main purpose is to \textit{fade out} sound or to lower the sound level smoothly to silence, or \textit{fade in} to make sounds appear gradually instead of suddenly. Video fade values are the percentage of opacity of the image in normal overlay mode, the percentage of the layer that is mixed into the render pipeline in the other overlay modes.
Click and drag the fader to fade the track in and out. If it is ganged to other tracks of the same media type, with the arm option enabled, the other faders should follow. Hold down the Shift key and drag a fader to center it on the original source value (0 for audio, 100 for video).
\item[mixer] in the expanded patchbay for that track designate the multi-camera mixer mode.
- \item[Overlay mode] in the expanded patchbay is used for porter-duff operations and is full explained in Overlay Modes \nameref{cha:???}.
- \todo{Link to Overlay Modes chapter}%
+ \item[Overlay mode] in the expanded patchbay is used for porter-duff operations and is full explained in \nameref{cha:overlays} chapter.
\item[Nudge] is in the expanded patchbay. The nudge value is the amount the track is shifted left or right during playback. The track is not displayed shifted on the timeline, but it is shifted when it is played back. This is useful for synchronizing audio with video, creating fake stereo, or compensating for an effect which shifts time, all without altering any edits (figure~\ref{fig:overlay}).
\begin{figure}[htpb]
\subsection{Use Case – Working with Sequences}
\label{sub:use_case_working_sequences}
-\textit{From the Viewer to the Timeline with the sequences imported \r
+\textit{From the Viewer to the Timeline with the sequences imported
in a Master Project.}
A convenient methodology for working on a Master project along with 1 or more previously saved Sub projects or \textit{sequences} use case is described here. A sequence is an edited assembly of audio and video clips generally consisting of a series of videos that relate to the same activity. This use case explains how to work this way and some things you need to be aware of.
\paragraph{Split --- blade cut and hard edges:} You can cut the tracks into 2 pieces on the timeline by putting the hairline cursor on the place you want to do a cut and then using the character “x” or the scissors tool (figure~\ref{fig:cut}).
\begin{wrapfigure}[16]{O}{0.3\linewidth}
- \vspace{-1ex}
+ \vspace{1ex}
\centering
\includegraphics[width=0.9\linewidth]{images/cut.png}
\caption{Blade cut}
\paragraph{Usage Examples of Nested Clips}
\begin{description}
- \item[Example 1:] You want to make a flashback/rewind at the end of your video\rthat represents a quick summary of the entire video in black and white. On\rhe timeline, you have 60 seconds of edits with clips, cuts, zoom in, zoom\rout and any other edits. Now you want to get this 60 seconds "compressed"\rto 10 seconds, play in reverse, and in black and white at the end of your\r
+ \item[Example 1:] You want to make a flashback/rewind at the end of your video
+that represents a quick summary of the entire video in black and white. On
+he timeline, you have 60 seconds of edits with clips, cuts, zoom in, zoom
+out and any other edits. Now you want to get this 60 seconds "compressed"
+to 10 seconds, play in reverse, and in black and white at the end of your
video.
- You would copy the 60 seconds in a clip, nest the clip in the Clip folder\rof the Resources window and drag it to the timeline. You will see only a\rclean clip without all of the edits that were used to create it because\rnesting display a clip without having to actually use the Render menu.\r
- Now you can add a Reverse effect, Color3way plugin for black and white, and\ruse the Speed auto to get the 60 seconds down to only 10 seconds.
- \item[Example 2:] You are working on a complex project with a team in a separate\rlocation. You create some sub projects, i.e. sequences, that you or the\rteam will use in the Master project to merge the sequences in the right\rorder and to make the final color correction steps.
+ You would copy the 60 seconds in a clip, nest the clip in the Clip folder
+of the Resources window and drag it to the timeline. You will see only a
+clean clip without all of the edits that were used to create it because
+nesting display a clip without having to actually use the Render menu.
+ Now you can add a Reverse effect, Color3way plugin for black and white, and
+use the Speed auto to get the 60 seconds down to only 10 seconds.
+ \item[Example 2:] You are working on a complex project with a team in a separate
+location. You create some sub projects, i.e. sequences, that you or the
+team will use in the Master project to merge the sequences in the right
+order and to make the final color correction steps.
\end{description}
-In each of the examples you can see the benefit of nesting to create clean\rlooking timelines because of the automatic rendering capability of nesting.
+In each of the examples you can see the benefit of nesting to create clean
+looking timelines because of the automatic rendering capability of nesting.
\subsection{Copy/Paste clips/medias across Multiple Instances}%
\label{sub:copy_paste_multiple_instances}
\paragraph{Note 4} For developers, if you have a pre-UEFI Secure Boot kernel it is also possible to do the following for further in depth testing:
-\begin{enumerate}
- \item \texttt{ls /sys/kernel/debug/hid \# to locate numerical value of the shuttle, e.g. 0003:0B33.0030.0006}
- \item \texttt{cat “/sys/kernel/debug/hid/0003:0B33.0030.0006/rdesc” \# substitute your own numerical value}
- \item \texttt{cat “/sys/kernel/debug/hid/0003:0B33.0030.0006/events” \# press keys to see the results}
-\end{enumerate}
+ \begin{lstlisting}[language=Bash]
+ls /sys/kernel/debug/hid \# to locate numerical value of the shuttle, e.g. 0003:0B33.0030.0006
+cat "/sys/kernel/debug/hid/0003:0B33.0030.0006/rdesc" # substitute your own numerical value
+cat "/sys/kernel/debug/hid/0003:0B33.0030.0006/events" # press keys to see the results
+ \end{lstlisting}
+%\begin{enumerate}
+ %\item \texttt{ls /sys/kernel/debug/hid \# to locate numerical value of the shuttle, e.g. 0003:0B33.0030.0006}
+ %\item \texttt{cat “/sys/kernel/debug/hid/0003:0B33.0030.0006/rdesc” \# substitute your own numerical value}
+ %\item \texttt{cat “/sys/kernel/debug/hid/0003:0B33.0030.0006/events” \# press keys to see the results}
+%\end{enumerate}
\subsection{Shuttle key default arrangement for Cinelerra / Composer / Viewer:}%
\label{sub:shuttle_key_default_cinelerra}
projects / goodguy / cin-manual-latex.git / blobdiff