\item[Fader slider] fade values are represented on the timeline with a pink curve that is keyframable. All tracks have a fader, but the units of each fader depend on whether it is audio or video. Audio fade values are in dB. They represent relative levels, where 0 is the unaltered original sound level, -40 is silence, -80 the minimum value set by default. You can move fader and keyframes down to -80 but the parameter's curve won't go below -40. For your convenience you can set a different fade range with the curve zoom. Audio fader’s main purpose is to \textit{fade out} sound or to lower the sound level smoothly to silence, or \textit{fade in} to make sounds appear gradually instead of suddenly. Video fade values are the percentage of opacity of the image in normal overlay mode, the percentage of the layer that is mixed into the render pipeline in the other overlay modes.
Click and drag the fader to fade the track in and out. If it is ganged to other tracks of the same media type, with the arm option enabled, the other faders should follow. Hold down the Shift key and drag a fader to center it on the original source value (0 for audio, 100 for video).
\item[mixer] in the expanded patchbay for that track designate the multi-camera mixer mode.
- \item[Overlay mode] in the expanded patchbay is used for porter-duff operations and is full explained in Overlay Modes \ref{cha:???}.
+ \item[Overlay mode] in the expanded patchbay is used for porter-duff operations and is full explained in Overlay Modes \nameref{cha:???}.
+ \todo{Link to Overlay Modes chapter}%
\item[Nudge] is in the expanded patchbay. The nudge value is the amount the track is shifted left or right during playback. The track is not displayed shifted on the timeline, but it is shifted when it is played back. This is useful for synchronizing audio with video, creating fake stereo, or compensating for an effect which shifts time, all without altering any edits (figure~\ref{fig:overlay}).
\begin{figure}[htpb]
Cinelerra fills out the audio and video tracks below the dragging cursor with data from the file. This affects what tracks you should create initially and which track to drag the media onto. To drag and drop a file on the Program window, you need to create on the timeline the same set of tracks as your media file.
-When you drag your chosen media from the media folder to the timeline, your mouse pointer will drag a thumbnail and, once over the timeline, the outline of a white rectangle, as big as the edit you are going to have appears. Drag the media to the desired position of an empty track of the timeline and drop it. If there are other edits on that track, when you move the white outline over an edit, you will see a bow tie symbol $\rhd\lhd$ appearing at edit boundaries. If you drop the media there, the new edit will start from the edit boundary indicated by the center of the bow tie $\rhd\lhd$.
+When you drag your chosen media from the media folder to the timeline, your mouse pointer will drag a thumbnail and, once over the timeline, the outline of a white rectangle, as big as the edit you are going to have appears. Drag the media to the desired position of an empty track of the timeline and drop it. If there are other edits on that track, when you move the white outline over an edit, you will see a bow tie symbol $\bowtie$ appearing at edit boundaries. If you drop the media there, the new edit will start from the edit boundary indicated by the center of the bow tie $\bowtie$.
Since the mouse pointer is in the middle of the white outline, when this rectangle is bigger than the visible part of the timeline, it is quite cumbersome to precisely insert it for long media. Lengthening the duration visible in the timeline by changing the sample zoom in the zoom panel will reduce the size of the white rectangle, making a precise insertion possible.
\noindent When you drag and drop edits within the timeline:
\begin{itemize}
- \item If you drop an edit when bow ties $\rhd\lhd$ are shown, that edit will be cut and pasted starting at the edit
- boundary indicated by the center of the bow tie $\rhd\lhd$. Following edits on the same track will move.
- \item If you drop an edit when there are no bow ties $\rhd\lhd$ shown, the original edit will be muted and pasted
+ \item If you drop an edit when bow ties $\bowtie$ are shown, that edit will be cut and pasted starting at the edit
+ boundary indicated by the center of the bow tie $\bowtie$. Following edits on the same track will move.
+ \item If you drop an edit when there are no bow ties $\bowtie$ shown, the original edit will be muted and pasted
where you dropped it. No edits will move. A silence will appear in place of the original edit.
\item If you have more armed tracks on the timeline than in the asset you are dragging, only the following
edits of the tracks affected by the drag and drop operation will move to the right. This will cause loss
\item You can see which parts of that particular media are already used so you do not reuse that same
piece again.
\end{itemize}
-Figure~\ref{fig:inter-view01} shows an example of the Inter-View mode mapping preview mini-window..
+Figure~\ref{fig:inter-view01} shows an example of the Inter-View mode mapping preview mini-window.
+
\begin{figure}[htpb]
\centering
\includegraphics[width=0.8\linewidth]{images/inter-view01.png}
projects / goodguy / cin-manual-latex.git / blobdiff