X-Git-Url: https://git.cinelerra-gg.org/git/?p=goodguy%2Fcin-manual-latex.git;a=blobdiff_plain;f=parts%2FEditing.tex;h=9e9ae70651a34559f54fdc78929e3de1082966c7;hp=b8a91a15896599d16da44366fdcef12d20a41ecf;hb=8207e03649cdb9716a266dc3c7bb5a48be253827;hpb=37f7986ccfdaad38ce17c5ca8cb7ce2290ffd8c4 diff --git a/parts/Editing.tex b/parts/Editing.tex index b8a91a1..9e9ae70 100644 --- a/parts/Editing.tex +++ b/parts/Editing.tex @@ -160,7 +160,7 @@ The 7 \textit{attributes} are described here next followed by the other availabl simultaneously. Gang also causes Nudge parameters to synchronize across all the ganged tracks. \item[Master Track] Mark a track as \textit{master} serves when using \textit{Gang Channels} or \textit{Gang Media} mode. See \nameref{sub:displaying_tracks_ganged} -\item[Track Data Height] \index{track height} this up/down toggle symbol to the immediate right +\item[Track Data Height] \index{track!height} this up/down toggle symbol to the immediate right of the 5 attributes, is used to individually resize each track. This makes it very easy to temporarily expand or contract the size of that track either by clickin with the left mouse button or using the middle wheel up/down. @@ -182,7 +182,7 @@ by clickin with the left mouse button or using the middle wheel up/down. with the arm option enabled, the other faders should follow. Hold down the Shift key and drag a fader to center it on the original source value (0 for audio, 100 for video). -\item[Mixer] \index{mixer toggle} in the expanded patchbay for that track designates +\item[Mixer] \index{mixers!toggle} in the expanded patchbay for that track designates the multi-camera mixer mode. \item[Overlay mode] \index{overlay pulldown} in the expanded patchbay is used for porter-duff operations and is full explained in @@ -223,18 +223,18 @@ Press the Tab key while the cursor is anywhere over a track to toggle the track arming status. Press Shift-Tab while the cursor is over a track to toggle the arming status of every other track. -\paragraph{Automatic audio mappings} \index{audio map} Several convenience functions +\paragraph{Automatic audio mappings} \index{audio!map} Several convenience functions are provided for automatically setting the panning to several common standards. They are listed in the Audio menu. These functions only affect armed audio tracks. They are: \begin{description} -\item[Audio~$\rightarrow$~Map 1:1] \index{audio map 1:1} This maps every track to +\item[Audio~$\rightarrow$~Map 1:1] \index{audio!map 1:1} This maps every track to its own channel and wraps around when all the channels are allocated. It is most useful for making 2 tracks with 2 channels map to stereo and for making 6 tracks with 6 channels map to a 6 channel sound card. -\item[Audio~$\rightarrow$~Map 5.1:2] \index{audio map 5.1:2} This maps 6 tracks to 2 +\item[Audio~$\rightarrow$~Map 5.1:2] \index{audio!map 5.1:2} This maps 6 tracks to 2 channels. The project should have 2 channels when using this function. Go to \texttt{Settings $\rightarrow$ Format} to set the output channels to 2. This is most useful for down-mixing 5.1 audio @@ -262,7 +262,7 @@ not store high frequencies in most cases. \section{Manipulating Tracks}% \label{sec:manipulating_tracks} -\index{tracks pulldowns} +\index{track!pulldown} Tracks in \CGG{} either contain audio or video. There is no special designation for tracks other than the type of media they contain. @@ -303,7 +303,7 @@ are armed. the other tracks. \end{description} -The \textbf{Audio} \index{audio pulldowns} and \textbf{Video pulldowns} \index{video pulldowns} each contain an +The \textbf{Audio} \index{audio!pulldowns} and \textbf{Video pulldowns} \index{video!pulldown} each contain an option to add a track of their specific type. In the case of audio, the new track is put on the bottom of the timeline and the output channel of the audio track is incremented by one. In the case of @@ -313,7 +313,7 @@ on top of old tracks. \subsection{Displaying tracks: Ganged mode}% \label{sub:displaying_tracks_ganged} -\index{tracks: ganged mode} +\index{track!ganged mode} Often users working on media where Audio is the main focus, want all of a media's audio channels, whether stereo or 5:1 channels, to be treated as a single unit. They are more familiar with working with a DAW (Digital Audio Workstation software) and find that it takes extra work and a lot more care to have to individually manage audio tracks rather than have them automatically edited as a ganged group. @@ -372,6 +372,12 @@ NOTES: to the first audio channel to be automatically duplicated before reverting to the \textit{Gang None} mode to make other changes. Once you start changing individual channels (that is, audio tracks) so that they are no longer coordinated in their edits/plugins, it may be more difficult to switch back to \textit{Gang Channels} mode and get the desired results since the channels may no longer be lined up. \item Gang modes should not be used with Multi-camera/Mixers because they have very specific operational capabilities which are not compatible with the way that Ganging works. + \item Gang flags in the patchbay specifically when in \textit{Gang Channels} or \textit{Gang Media} modes will +operate as set in the Master Track. For example, if when in \textit{Gang Channels} mode, you turn off +“Play track” on the visible audio track, none of the associated channels (i.e. the other stereo or +other 5 channels will play). And if in \textit{Gang Media} mode, if you turn on “Play track” for the +Master Track, all associated video and audio tracks will play unless you turned off “Play track” for +some of the associated audio/video slave tracks which will not play. \end{itemize} \section{Two Screen Editing}% @@ -395,7 +401,7 @@ using the main menu \textbf{File pulldown} and choose \textit{Load timeline stays unchanged while new resources are brought in. Go to the Resources window \index{resources window} and select the Media folder. The newly loaded resources will appear. Double click on a resource or drag it from -the media side of the window over to the Viewer window \index{viewer window}. +the media side of the window over to the Viewer window \index{viewer!window}. Check to make sure there are enough armed tracks on the timeline to put the subsections of source material that you want. Usually this @@ -550,7 +556,7 @@ button to cut it. Move the insertion point to another point in the timeline and select the paste button. Assuming no In/Out points are defined on the timeline this performs a cut and paste operation. -Most editing operations are listed in the \textit{Edit} pulldown \index{edit pulldown}. Some of +Most editing operations are listed in the \textit{Edit} pulldown \index{edit!pulldown}. Some of them have a button on the program control toolbar as well as a keyboard shortcut. The keyboard shortcut is in parenthesis here. @@ -655,7 +661,7 @@ two edits. In order to have the video and audio aligned, it works best to have \texttt{Settings $\rightarrow$ Align cursor on frames} \index{align cursor on frames}. When a blade cut occurs, the edges are created as \textit{hard edges}. \index{hard edge} These are edges that cannot be deleted by -track optimizations \index{timeline optimization}. +track optimizations \index{timeline!optimization}. % \CGG{} has built-in optimization on the timeline. So that whenever two parts on the timeline are sequential frames, it automatically @@ -700,7 +706,7 @@ Resources window \index{resources window}. \begin{enumerate} \item Create some video and audio tracks on the timeline using - the \textit{Video} \index{video pulldown} and \textit{Audio} \index{audio pulldown} pulldowns. + the \textit{Video} \index{video!pulldown} and \textit{Audio} \index{audio!pulldown} pulldowns. \item Open the Media folder in the Resources window. Make sure the necessary tracks are armed and drag a media file from the Resources window to the timeline \index{timeline}. If the media has video, drag it @@ -777,13 +783,13 @@ pulldown to view the list and their keyboard shortcuts. \subsection{Copy/Paste Behavior}% \label{sub:copy_paste_behavior} -\index{drag and drop: MMB options} +\index{drag and drop!MMB options} There are many options for moving, copying, pasting, inserting, and deleting selected \textit{edits}, more commonly referred to by the user as \textit{clips}, when in the Drag and Drop (arrow) editing mode. This makes it easier to avoid constantly having to disarm/arm -tracks. To create a selection \index{edits selection} move the cursor over the clip and +tracks. To create a selection \index{edit!selection} move the cursor over the clip and just click the left mouse button; remove a selection by left mouse button click again. This will mark your selection with a colored border which contains some red. The easiest way to initially use @@ -907,7 +913,7 @@ transition does not drag. \label{syb:snapping_cutting_dragging} \index{snap} -\paragraph{Cutting/Snapping edits} \index{edits: cut with snap} cuts from an edit handle to the +\paragraph{Cutting/Snapping edits} \index{edit!cut with snap} cuts from an edit handle to the insert point. There are Edit Panel buttons which normally are used to move to the previous or next edit handle/label. @@ -939,7 +945,7 @@ following keyboard shortcuts to perform the same functions: \end{tabular} \end{center} -\paragraph{Drag Snapping} \index{edits: drag with snap} if you hold down the Ctrl + Alt keys while +\paragraph{Drag Snapping} \index{edit!drag with snap} if you hold down the Ctrl + Alt keys while dragging using the mouse, once the clip gets near to an edit, a label, an in/out pointer or the start/end of the timeline, the dragged clip will snap next to that marker. The 2 will now be @@ -973,7 +979,7 @@ Steps to copy from a source timeline and paste to a target timeline: \subsection{Grouping edits}% \label{sub:grouping_edits} -\index{edits: grouping} +\index{edit!grouping} \CGG{} recognizes as a group, the edits of different armed tracks that have aligned beginnings, regardless of whether they have the @@ -984,7 +990,7 @@ same positions the edit the mouse pointer is currently over. Another method of Grouping of edits is performed as follows: \begin{enumerate} -\item Select \index{edits selection} each of the clips you would like to be part of a +\item Select \index{edit!selection} each of the clips you would like to be part of a group. \item Use the desired Copy mode as described above to get into the buffer. @@ -1025,10 +1031,10 @@ different Group Id and a different color. \subsection{Dragging Groups}% \label{sub:dragging_groups} -\index{edits: dragging group} +\index{edit!dragging group} Dragging while in \textit{Drop and Drag editing mode} (arrow mode) -is really easy. Just select \index{edits selection} the clip or clips you want to drag +is really easy. Just select \index{edit!selection} the clip or clips you want to drag using the left mouse button, then put your cursor over one of them and drag while holding down the left mouse button. Keyframes, autos, labels, and plugins will also be dragged. Dragging honors @@ -1079,7 +1085,7 @@ to drag clips together that are not columnated. \subsection{Selection Methods}% \label{sub:selection_method} -\index{edits selection} +\index{edit!selection} \index{active region} Concerning \textit{Selection} methods, the following information is @@ -1106,7 +1112,7 @@ have a position on the timeline which can be used for editing. This is input for the vertical style cut/paste drag/drop editing. More recently, in addition to the column oriented timeline drag -selection, there is now \textit{group} \index{edits: grouping} capabilities which have +selection, there is now \textit{group} \index{edit!grouping} capabilities which have various \textit{edit} selections. These are created in the Drag and Drop editing mode by clicking edits to toggle select/deselection. These groups are input to a different (more @@ -1154,7 +1160,7 @@ If using certain operating systems (for example Ubuntu and Arch) that might fiel \item Release the Alt key \end{enumerate} -\section{Inter-View Mode\;/\;Identifying Source Targets}% +\section{Inter-View Mode -- Identifying Source Targets}% \label{sec:inter-view_identifying_source_target} \index{inter-view} @@ -1183,6 +1189,11 @@ Inter-View mode mapping preview mini-window. \label{fig:inter-view01} \end{figure} +There is a second usage of Inter-View mode that can be helpful if +some tracks have become misaligned, such as in the case of 2 audio +channels no longer being in sync. You can use this mode to get them +back in alignment. + Explanation of how to use Inter-View mode will be described here next. @@ -1219,7 +1230,7 @@ confusion in the display. \item Ctrl-click on the bottom bar and the timeline and composer are re-positioned to the beginning of that edit. \item Shift-click on the bottom bar and a \textit{selection} is - made of that section in the timeline and the composer is updated + made of that section in the timeline and the compqoser is updated with that start position. \end{itemize} @@ -1248,7 +1259,7 @@ not for Proxy. \subsection{Edit Length}% \label{sub:edit-lenght} -\index{edit lenght} +\index{edit!length} To set the length of an edit in the timeline, select the region which contains the edit to be modified. Now select the menu bar @@ -1400,11 +1411,11 @@ You can create as many Viewer windows as you want in \CGG{}. These are handy fo \label{fig:multi-view01} \end{figure} -\section[ShuttlePROv2 and ShuttleXpress Jog Wheels for Editing]{ShuttlePROv2 and ShuttleXpress Jog Wheels for Editing\protect\footnote{programmatic specifications from Eric Messick}}% +\section[ShuttlePROv2 and ShuttleXpress Jog Wheels for Editing]{ShuttlePROv2 and ShuttleXpress Jog Wheels for Editing}% \label{sec:shuttle_jog_wheels_editing} \index{shuttle pro v2 and shuttlexpress} -The ShuttlePROv2 and ShuttleXpress are affordable jog wheels which +The ShuttlePROv2 and ShuttleXpress are affordable jog wheels\protect\footnote{programmatic specifications from Eric Messick} which can be useful for working with Cin, especially if you do a lot of playing forward/backward, fast/slow/normal, and single frames (figure~\ref{fig:shuttle}). @@ -1811,7 +1822,10 @@ cat "/sys/kernel/debug/hid/0003:0B33.0030.0006/events" # press keys to see the The following is the default setting for the ShuttlePROv2 and ShuttleXpress (table~\ref{tab:shuttleprov2} and -table~\ref{tab:xpress}): +table~\ref{tab:xpress}). This page can be quickly requested from \CGG{} by +pressing both the left and right Alt keys on the keyboard followed by pressing +any button on the Shuttle. To cancel this mode, press any single modifier key +(\texttt{Alt, \texttt{Ctrl}} or Shift) once. \renewcommand{\arraystretch}{1.15} \begin{table}[ht]