Setup internal links.

diff --git a/CinelerraGG_Manual.tdo b/CinelerraGG_Manual.tdo
index f03a31e829baad3137ced5af25a0c92e0c9f60c1..72a5f5c81e976875350cbff830f0e291a3b7dcc4 100644 (file)
--- a/CinelerraGG_Manual.tdo
+++ b/CinelerraGG_Manual.tdo
@@ -1,4 +1,2 @@
-\contentsline {todo}{\color@fb@x {}{black}{}{orange}{\leavevmode {\color {orange}o}}\ internal link 1}{185}{section*.52}% 
-\contentsline {todo}{\color@fb@x {}{black}{}{orange}{\leavevmode {\color {orange}o}}\ internal link 2}{187}{section*.53}% 
-\contentsline {todo}{\color@fb@x {}{black}{}{orange}{\leavevmode {\color {orange}o}}\ It's OK to use Subsection every plugin?}{199}{section*.54}% 
-\contentsline {todo}{\color@fb@x {}{black}{}{orange}{\leavevmode {\color {orange}o}}\ internal link 3}{267}{section*.85}% 
+\contentsline {todo}{\color@fb@x {}{black}{}{orange}{\leavevmode {\color {orange}o}}\ Link to Overlay Modes chapter}{92}{section*.23}% 
+\contentsline {todo}{\color@fb@x {}{black}{}{orange}{\leavevmode {\color {orange}o}}\ Link to Overlay Modes chapter}{267}{section*.83}% 

diff --git a/parts/Editing.tex b/parts/Editing.tex
index b623ec8ab24e2985abcedce9059ab2cb07dc9500..ed374f247815ddaca4f361845205e7739763d2c8 100644 (file)
--- a/parts/Editing.tex
+++ b/parts/Editing.tex
@@ -63,7 +63,8 @@ The \textit{attributes} are described here next.
     \item[Fader slider] fade values are represented on the timeline with a pink curve that is keyframable.  All tracks have a fader, but the units of each fader depend on whether it is audio or video.  Audio fade values are in dB. They represent relative levels, where 0 is the unaltered original sound level, -40 is silence, -80 the minimum value set by default.  You can move fader and keyframes down to -80 but the parameter's curve won't go below -40.  For your convenience you can set a different fade range with the curve zoom.  Audio fader’s main purpose is to \textit{fade out} sound or to lower the sound level smoothly to silence, or \textit{fade in} to make sounds appear gradually instead of suddenly.  Video fade values are the percentage of opacity of the image in normal overlay mode, the percentage of the layer that is mixed into the render pipeline in the other overlay modes.
     Click and drag the fader to fade the track in and out.  If it is ganged to other tracks of the same media type, with the arm option enabled, the other faders should follow.  Hold down the Shift key and drag a fader to center it on the original source value (0 for audio, 100 for video).
     \item[mixer] in the expanded patchbay for that track designate the multi-camera mixer mode.
     \item[Fader slider] fade values are represented on the timeline with a pink curve that is keyframable.  All tracks have a fader, but the units of each fader depend on whether it is audio or video.  Audio fade values are in dB. They represent relative levels, where 0 is the unaltered original sound level, -40 is silence, -80 the minimum value set by default.  You can move fader and keyframes down to -80 but the parameter's curve won't go below -40.  For your convenience you can set a different fade range with the curve zoom.  Audio fader’s main purpose is to \textit{fade out} sound or to lower the sound level smoothly to silence, or \textit{fade in} to make sounds appear gradually instead of suddenly.  Video fade values are the percentage of opacity of the image in normal overlay mode, the percentage of the layer that is mixed into the render pipeline in the other overlay modes.
     Click and drag the fader to fade the track in and out.  If it is ganged to other tracks of the same media type, with the arm option enabled, the other faders should follow.  Hold down the Shift key and drag a fader to center it on the original source value (0 for audio, 100 for video).
     \item[mixer] in the expanded patchbay for that track designate the multi-camera mixer mode.

-    \item[Overlay mode] in the expanded patchbay is used for porter-duff operations and is full explained in Overlay Modes \ref{cha:???}.
+    \item[Overlay mode] in the expanded patchbay is used for porter-duff operations and is full explained in Overlay Modes \nameref{cha:???}.
+        \todo{Link to Overlay Modes chapter}%

     \item[Nudge] is in the expanded patchbay.  The nudge value is the amount the track is shifted left or right during playback. The track is not displayed shifted on the timeline, but it is shifted when it is played back. This is useful for synchronizing audio with video, creating fake stereo, or compensating for an effect which shifts time, all without altering any edits (figure~\ref{fig:overlay}).
     
     \begin{figure}[htpb]
     \item[Nudge] is in the expanded patchbay.  The nudge value is the amount the track is shifted left or right during playback. The track is not displayed shifted on the timeline, but it is shifted when it is played back. This is useful for synchronizing audio with video, creating fake stereo, or compensating for an effect which shifts time, all without altering any edits (figure~\ref{fig:overlay}).
     
     \begin{figure}[htpb]

diff --git a/parts/Plugins.tex b/parts/Plugins.tex
index 98da7be3211ff70289f93508c67b9b5be7c39596..0a79e27b8b595c8942df2003a3a3a68d1d0ca025 100644 (file)
--- a/parts/Plugins.tex
+++ b/parts/Plugins.tex
@@ -1,8 +1,9 @@
 \chapter{Plugins}%
 \label{cha:plugins}
 
 \chapter{Plugins}%
 \label{cha:plugins}
 

-There are realtime effects --- these are the most useful and probably all you will ever need --- and rendered effects. The rendered effects are discussed separately in the Rendered Effects \todo{internal link 1}% 
-section. Effect plugins modify the track when played, according to how they are set, with no permanent storage of the output except when the project is rendered. There are many Plugins in Cinelerra-GG Infinity which are actually quite easy to use just by experimenting with them. The plugins are shown and selected from the \textit{Resources window} (figure~\ref{fig:video-plugins}). They are described in more detail later.
+There are realtime effects --- these are the most useful and probably all you will ever need --- and rendered effects. 
+The rendered effects are discussed separately in the \nameref{sec:rendered_effects}  section. 
+Effect plugins modify the track when played, according to how they are set, with no permanent storage of the output except when the project is rendered. There are many Plugins in Cinelerra-GG Infinity which are actually quite easy to use just by experimenting with them. The plugins are shown and selected from the \textit{Resources window} (figure~\ref{fig:video-plugins}). They are described in more detail later.

 
 \begin{figure}[htpb]
     \centering
 
 \begin{figure}[htpb]
     \centering


@@ -59,8 +60,7 @@ Besides the magnifying glass, for Show Controls, on the effect colored bar benea
     \includegraphics[width=0.7\linewidth]{images/button-options.png} 
 \end{wrapfigure}
 
     \includegraphics[width=0.7\linewidth]{images/button-options.png} 
 \end{wrapfigure}
 

-The rightmost knob is used to \texttt{Turn Off/Turn On} the effect where the default is On. This is useful to easily see that the plugin is doing what you expect. The leftmost symbol that looks like a gear is for \textit{Preset Edit} and its usage is described in the section Saved Plugin Presets.
-    \todo{internal link 2}%
+The rightmost knob is used to \texttt{Turn Off/Turn On} the effect where the default is On. This is useful to easily see that the plugin is doing what you expect. The leftmost symbol that looks like a gear is for \textit{Preset Edit} and its usage is described in the section \nameref{sec:saved_plugin_preset}.

 
 \section{Editing Effects}%
 \label{sec:editing_effects}
 
 \section{Editing Effects}%
 \label{sec:editing_effects}


@@ -343,7 +343,8 @@ This converts the input to \textit{rgb} before xxxxxx runs, and so it too is slo
 \label{sub:audioscope}
 
 Convert input audio to video output representing the audio power spectrum. Shows
 \label{sub:audioscope}
 
 Convert input audio to video output representing the audio power spectrum. Shows

- \todo{It's OK to use Subsection every plugin?}%
+% Yes
+ %\todo{It's OK to use Subsection every plugin?}%

 you the sound wave.
 
 \subsection{Compressor}%
 you the sound wave.
 
 \subsection{Compressor}%


@@ -1789,7 +1790,7 @@ This effect makes video tracks appears as a painting. It can be controlled by \t
 \label{sub:overlay}
 
 This effect can combine several tracks by using the so called Overlayer. This is a basic internal device normally used by Cinelerra GG Infinity to create the dissolve transitions and for compositing the final output of every track onto the output bitmap. The Overlayer has the ability to combine one or several image layers on top of a bottom layer. It can do this combining of images in several different (and switchable) output modes such as \textit{Normal}, \textit{Additive}, \textit{Subtractive}, \textit{Multiply} (Filter), \textit{Divide}, \textit{Max} and \textit{Replace}. For a detailed list refer to the chapter on Overlay Modes
 \label{sub:overlay}
 
 This effect can combine several tracks by using the so called Overlayer. This is a basic internal device normally used by Cinelerra GG Infinity to create the dissolve transitions and for compositing the final output of every track onto the output bitmap. The Overlayer has the ability to combine one or several image layers on top of a bottom layer. It can do this combining of images in several different (and switchable) output modes such as \textit{Normal}, \textit{Additive}, \textit{Subtractive}, \textit{Multiply} (Filter), \textit{Divide}, \textit{Max} and \textit{Replace}. For a detailed list refer to the chapter on Overlay Modes

-\todo{internal link 3}
+\todo{Link to Overlay Modes chapter}

 --- PorterDuff.
 
 The \texttt{overlay} plugin enables the use of this Overlayer device in the middle of any plugin stack, opening endless filtering and processing possibilities. It is only useful as a \textit{shared plugin} (i.e. a multitrack plugin). To use the overlay plugin:
 --- PorterDuff.
 
 The \texttt{overlay} plugin enables the use of this Overlayer device in the middle of any plugin stack, opening endless filtering and processing possibilities. It is only useful as a \textit{shared plugin} (i.e. a multitrack plugin). To use the overlay plugin: