new revisio Editing.tex

diff --git a/parts/Editing.tex b/parts/Editing.tex
index 957e7660097f549b3d08350feb2c98893d7a33f9..868712fb0e97378d7ba6261a8bcd682bae948def 100644 (file)
--- a/parts/Editing.tex
+++ b/parts/Editing.tex
@@ -33,7 +33,7 @@ on the toggle to enable/disable the feature.
 
 \begin{figure}[htpb]
     \centering
 
 \begin{figure}[htpb]
     \centering

-    \includegraphics[width=0.2\linewidth]{images/patchbay01.png}
+    \includegraphics[width=0.3\linewidth]{images/patchbay01.png}

     \caption{Patchbay}
     \label{fig:patchbay01}
 \end{figure}
     \caption{Patchbay}
     \label{fig:patchbay01}
 \end{figure}


@@ -194,12 +194,12 @@ pasted one after the other, keeping the same order they have on the stack.
 
 \paragraph{Split --- blade cut and hard edges:} You can cut the tracks into 2 pieces on the timeline by putting the hairline cursor on the place you want to do a cut and then using the character “x” or the scissors tool (figure~\ref{fig:cut}). 
 
 
 \paragraph{Split --- blade cut and hard edges:} You can cut the tracks into 2 pieces on the timeline by putting the hairline cursor on the place you want to do a cut and then using the character “x” or the scissors tool (figure~\ref{fig:cut}). 
 

-\begin{wrapfigure}{r}{0.4\textwidth}
+\begin{wrapfloat}{figure}{O}{0pt}

     \centering
     \centering

-    \includegraphics[width=0.7\linewidth]{images/cut.png}
+    \includegraphics[width=0.3\linewidth]{images/cut.png}

     \caption{Blade cut}
     \label{fig:cut}
     \caption{Blade cut}
     \label{fig:cut}

-\end{wrapfigure}
+\end{wrapfloat}

 
  A \textit{cut} uses a non-empty selection region, where the \textit{blade cut} or \textit{split} has no duration in the selection, just a hairline.  As usual the use of cut when a selection is set, deletes/cuts the highlighted area.  In the case where an In point or an Out point exists on the timeline, the clip is split at the location of the In/Out point since it has priority over the cursor location.  A blade cut simply splits the edit into two edits.  In order to have the video and audio aligned, it works best to have Settings $\rightarrow$ Align cursor on frames.  When a blade cut occurs, the edges are created as \textit{hard edges}.  These are edges that cannot be deleted by track optimizations.
 Cinelerra has built-in optimization on the timeline.  So that whenever two parts on the timeline are sequential frames, it automatically optimizes by making them into 1 item.  So if you are cutting, dragging, editing, or whatever and somehow frame \# 40 ends up right next to frame \# 41, it optimizes them together.  This optimization affects many areas throughout the program code.
 
  A \textit{cut} uses a non-empty selection region, where the \textit{blade cut} or \textit{split} has no duration in the selection, just a hairline.  As usual the use of cut when a selection is set, deletes/cuts the highlighted area.  In the case where an In point or an Out point exists on the timeline, the clip is split at the location of the In/Out point since it has priority over the cursor location.  A blade cut simply splits the edit into two edits.  In order to have the video and audio aligned, it works best to have Settings $\rightarrow$ Align cursor on frames.  When a blade cut occurs, the edges are created as \textit{hard edges}.  These are edges that cannot be deleted by track optimizations.
 Cinelerra has built-in optimization on the timeline.  So that whenever two parts on the timeline are sequential frames, it automatically optimizes by making them into 1 item.  So if you are cutting, dragging, editing, or whatever and somehow frame \# 40 ends up right next to frame \# 41, it optimizes them together.  This optimization affects many areas throughout the program code.


@@ -586,10 +586,10 @@ Now to use this feature, create a track with edits that have trims on the left a
 
 \paragraph{Cutting/Snapping edits} cuts from an edit handle to the insert point. 
 There are Edit Panel buttons which normally are used to move to the previous or next edit handle/label.
 
 \paragraph{Cutting/Snapping edits} cuts from an edit handle to the insert point. 
 There are Edit Panel buttons which normally are used to move to the previous or next edit handle/label.

-\begin{wrapfigure}[10]{r}{0.5\textwidth}
+\begin{wrapfloat}{figure}{r}{0pt}

     \centering
     \centering

-    \includegraphics[width=0.6\linewidth]{images/snap.png}
-\end{wrapfigure}
+    \includegraphics[width=0.2\linewidth]{images/snap.png}
+\end{wrapfloat}

 They look like tags and the letter E on the menu bar and are oriented forward/backward.  These same buttons can be used to \textit{cut} from the insert pointer to the previous or next edit/label when the \texttt{ctrl+alt} keys are both pressed when the buttons are used.  They \textit{snap} off the media instead of doing the standard re-positioning.  This is useful to minimize the number of operations necessary to cut between edits/labels.
 
 Instead of using the edit panel buttons, you can more easily use the following keyboard shortcuts to perform the same functions:
 They look like tags and the letter E on the menu bar and are oriented forward/backward.  These same buttons can be used to \textit{cut} from the insert pointer to the previous or next edit/label when the \texttt{ctrl+alt} keys are both pressed when the buttons are used.  They \textit{snap} off the media instead of doing the standard re-positioning.  This is useful to minimize the number of operations necessary to cut between edits/labels.
 
 Instead of using the edit panel buttons, you can more easily use the following keyboard shortcuts to perform the same functions:


@@ -897,20 +897,21 @@ event: (0, 0, 0x0)
 \subsection{Shuttle key default arrangement for Cinelerra / Composer / Viewer:}%
 \label{sub:shuttle_key_default_cinelerra}
 
 \subsection{Shuttle key default arrangement for Cinelerra / Composer / Viewer:}%
 \label{sub:shuttle_key_default_cinelerra}
 

-The following is the default setting for the ShuttlePROv2 and ShuttleXpress (table~\ref{tab:shuttleprov2} and table 2):
+The following is the default setting for the ShuttlePROv2 and ShuttleXpress (table~\ref{tab:shuttleprov2} and table~\ref{tab:xpress}):

 
 

-\begin{sidewaystable}
-    \caption{ShuttlePROv2 key default arrangement for Cinelerra / Composer / Viewer}
-    \label{tab:shuttleprov2}
-    \centering
-    \begin{tabular}{c c c c c c c c}       
-        \toprule
-        & K1 & & K2 & & K3 & & K4 \\
-        & Label & & Future use & & Future use & & Clip \\
-        &       & & Splice (viewer) & & Copy & & Overwrite (viewer) \\
-        \midrule
+%\begin{sidewaystable}   
+%    \centering
+%    \begin{tabular}{c c c c c c c c}       
+%        \toprule
+%        & K1 & & K2 & & K3 & & K4 \\
+%        & Label & & Future use & & Future use & & Clip \\
+%        &       & & Splice (viewer) & & Copy & & Overwrite (viewer) \\
+%        \midrule

         
         

-    \end{tabular}
-\end{sidewaystable}
+%    \caption{ShuttlePROv2 key default arrangement for Cinelerra / Composer / Viewer}
+%    \label{tab:shuttleprov2}    
+%    \end{tabular}
+
+%\end{sidewaystable}