\chapter{DVD and Bluray Creation}%
\label{cha:dvd_bluray_creation}
+\index{DVD}
+\index{BluRay}
-This section describes how to create a blu-ray DVD, or \textcolor{red}{BD} referring to a \textcolor{red}{B}lu-ray \textcolor{red}{D}VD, and a regular DVD, or \textcolor{red}{SD} referring to a \textcolor{red}{S}tandard \textcolor{red}{D}VD. The DVDs (plural usage of DVD means either BD or SD) created are unencrypted, unlike commercially available movie DVDs. This \CGG{} version conceivably can create different variations of DVD/Blu-ray media but for the casual user the most standard usages are readily usable and will be described here.
+This section describes how to create a blu-ray DVD, or \textcolor{red}{BD} referring to a \textcolor{red}{B}lu-ray \textcolor{red}{D}VD, and a regular DVD, or \textcolor{red}{SD} referring to a \textcolor{red}{S}tandard \textcolor{red}{D}VD. The DVDs (plural usage of DVD means either BD or SD) created are unencrypted, unlike commercially available movie DVDs. This \CGG{} version conceivably can create different variations of DVD/Blu-ray media but for the casual user the most standard usages are readily usable and will be described here.
Some preliminary information follows. For NTSC, SD media is almost always $720\times480$ interlaced (the format in the United States, US). For PAL, SD media is almost always $720\times576$ interlaced (Europe, EU, and most of the world). An SD can conceivably be created with a lower resolution – for example $352\times240$ MPEG-1 -- but it is not useful. Aspect ratio for either NTSC or PAL can be $4:3$ or $16:9$.
A warning here -- writing blu-ray BDs and regular SDs can take a large amount of clock time. Keep in mind that a blu-ray can contain 25 hours of viewing, so would take multiple hours to just write one.
-The max disk space needed is a little over $100GB$ for $50GB$ Double Layer (DL) media or $50GB$ for a single layer BD blu-ray. A standard SD of $4.7GB$ needs about $10GB$ disk space. You probably can get by with much less if the render for blu-ray is less than 25 hours of media. You will need twice as much disk space as the media holds to ensure you have sufficient space for working and copying.
+The amount of data you have to render determines the amount of disk space you will need for working. The max disk space needed for a completely full media disc is a little over $100GB$ for $50GB$ Double Layer (DL) media or $50GB$ for a single layer BD blu-ray. A standard SD of $4.7GB$ needs about $10GB$ disk space. You will need much less if the render for blu-ray is less than 25 hours of media. Generally you will need twice as much disk space as will be written on the media to ensure you have sufficient space for working and copying.
The most important thing you need to know about in order to get started is \textit{Format} and \textit{Scale} in the \textit{Create dvd or bd} window. Format settings shown in the \texttt{Set Format} window are set accordingly to an algorithm. Basically, it will take whatever you say in the asset format. It matches that against the known Presets available so that is what will be shown. If the asset format doesn't match any of the Presets default formats, then that will be shown as the \textit{User Defined} format. In addition when you load media, the format is initially set to \textit{same as source} so matches the source input and if that matches a known preset, then that is what is shown. The PAL versus NTSC only comes into play when there is no known correct matching format when you attempt to create a DVD Render batch job. It is applied when you click OK. For example, if you load up a YouTube video, it will not match any known format and will choose PAL or NTSC based on time zone.
\label{fig:preset01}
\end{figure}
-A quick set of basic steps to create DVDs is immediately below and usually just using the defaults will get you something. However there is a serious issue with interaction between the Operating System and bdwrite when creating a BD/blu-ray that requires automount to be turned off. Refer to the details and more specific explanations below the following steps for how to do this.
+A quick set of basic steps to create DVDs is immediately below and usually just using the defaults will get you something. However there is a serious issue with interaction between the Operating System and bdwrite when creating a BD/blu-ray that requires automount to be turned off. For more details on using automount see: ~\ref{sec:bluray_workaround_mount_umount}.
\begin{enumerate}
\item If not logged in as root, you will get an error message in order to avoid doing a lot of work and then failing out because root is required for automount and to write on DVD hardware.
\item Load your media, format if needed, note device name to substitute for \textit{<bd>} or \textit{<dvd>}
\begin{itemize}
\item If rewritable blu-ray, use \\
- \texttt{dd if=./bd.udfs of=/dev/<bd> bs=2048000}
+ \texttt{dd if=./bd.udfs of=/dev/<bd> bs=2048000} \\
+ Note: unwritten media must be quickly formatted one time using: \\
+ \texttt{dvd+rw-format /dev/bd}
\item If write-once blu-ray, use \\
\texttt{growisofs -dvd-compat -Z /dev/<bd>=./bd.udfs}
\item If any DVD media, use \\
\begin{itemize}
\item Format frame rates choices are $29.97$ or $25$ for SD, based on the user's timezone, with NTSC 29.97/US or PAL 25 /EU. For BD, the media input will be analyzed to automatically pick the default format or if unknown, the user's timezone will be used to default to $1920/29.97i$ for US or $1920/25i$ for EU. Be sure to set the rendering parameters in the \texttt{settings $\rightarrow$ format} menu.
\item Choose audio stereo or 5.1, again depending on your media.
- \item Target Geometry will be $720\times480$ (US) or $720\time576$ (EU) for SD.
+ \item Target Geometry will be $720\times480$ (US) or $720\times576$ (EU) for SD.
\end{itemize}
\textit{Step 2}: From the main window, select \texttt{file $\rightarrow$ BD Render} or select \texttt{file $\rightarrow$ DVD Render} (figure~\ref{fig:bluray_dvd}). Then:
\begin{description}
\item[Deinterlace] remove the interlace. Interlacing is a video scanning system in which alternating lines are transmitted so that half a picture is displayed each time the scanning beam moves down the screen. You lose a lot and the quality is bad when you view interlacing on a progressive TV. You might not really want to use deinterlace, because if you deinterlace non-interlaced media, it will look awful.
\item[Scale] alter the spatial mapping of an image to increase or reduce the size; modifies the picture. When some programs scale from $4:3$ to $16:9$ they will automatically cut off the appropriate section of the image for you. It is necessary to keep in mind, that \textit{square pixels} is the true end goal of scaling, not the aspect ratio which could result in squished or stretched output. More information about scaling will be provided on a subsequent page with usage of the \textit{Scale Ratio} plugin.
+ \item[Profile] for bluray only, use the default bluray.m2ts or choose bluray\_lpcm.m2ts for linear pulse code modulation for digitally encoding uncompressed audio information.
+ \item[use tsmuxer] for bluray only, to use tsMuxer as a transport stream muxer for remuxing/muxing elementary streams, check this box. Usage of tsmuxer requires that your computer have the tsmuxer software installed along with any of its prerequisites. The default is do not use tsmuxer.
\item[Histogram] remaps the color space. The color space ranges from $0-255$ for 8-bit color values. You can use this tool to remap the color space to use the entire space or for stretching the contrast. Also, it lets you perform global color-correction on the image. You can use this to correct for color screens that are \textit{too blue}, or for color Televisions that produce \textit{brownish} output, or whatever. In addition to color-correction, you can use the RGB modification tool to add color to images that didn't have color to begin with. For instance, you can \textit{pseudo-color} greyscale media.
\item[Inverse Telecine] the reverse of $3:2$ pulldown where frames, which were duplicated to create 60-fields/second video from 24-frames/second film, are removed. MPEG-2 video encoders usually apply an inverse Telecine process to convert 60-fields/second video into 24-frames/second encoded video. The encoder adds information enabling the decoder to recreate the 60-fields/second display rate. \textit{Telecine}, i.e. $3:2$ pulldown, is used to transfer film to video. That's where the $3:2$ ratio comes in. To ensure that there will consistently be 60 frames per second, the first frame is displayed on the TV screen 3 times and the second frame is displayed 2 times. The following frame is repeated 3 times, the next one 2 times, etc. throughout the film. For inverse telecine, you show 2 of the film frames for 3 of output frames. Only check \textit{Inverse Telecine} if you have film or something that is $24fps$ and want to project to $30fps$ (most likely this will never be necessary).
\item[Audio 5.1] 6 channel surround sound. For most home systems, uses five full bandwidth channels and one low-frequency effects channel. Could automatically get set as explained previously.
\item[Aspect Ratio] aspect ratio may be automatically set to $4:3$ or $16:9$. Aspect ratio would better be defined as the size of the display, monitor, or TV which will be used to view the output. If you measure your old TV, which supposedly is $4:3$ and your latest digital TV, which is supposedly $16:9$, you will see that those ratios aren't always correct anyway. Then measure your laptop monitor, your desktop monitor, and your neighbor's, and lo and behold, the ratios don't fit either of the purported \textit{standard} aspect ratio. Maintaining square pixels via scaling is more important in the long run.
\item[Use FFMPEG] this is user's choice; it is recommended and faster but more difficult to modify due to numerous options. For blu-ray, ffmpeg must be used and is not an available option.
\item[Resize Tracks] change track width and height as explained previously. The size is adjusted to the largest frame size needed.
- \item[Chapters at Labels] without this checked, chapters markers are automatically inserted every 5 minutes. The chapter labels can then be \textit{skipped to} when playing the DVD. If instead, you want to put labels in at opportune times, you will have to run dvdauthor outside of \CGG{} and mark the chapter labels yourself by hand. In that case, you should checkbox \textit{Chapters at Labels} so that the automatic 10-minute labels are not created. This checkbox is not currently available for blu-ray.
+ \item[Chapters at Labels] for DVDs without this checked, chapter markers are automatically inserted every 5 minutes. The chapter labels can then be \textit{skipped to} when playing the DVD. If instead, you want to put labels in at opportune times, you will have to run dvdauthor outside of \CGG{} and mark the chapter labels yourself by hand. In that case, you should check the box \textit{Chapters at Labels} so that the automatic 5-minute labels are not created. This checkbox is not currently available for blu-ray, but you can easily create
+chapters on blu-ray by adding '-c timeinterval in ticks' as the first argument to bdwrite in the bd.sh job
+generated by “BD Render” and then executing that job manually. On 1 test computer 100 ticks equalled 20 seconds. When "use tsmuxer" option is included, there is by default a chapter every 5 minutes. This
+can be customized by modifying the bd.meta file associated with your current
+job, changing the '--auto-chapters=5' to your choice in minutes instead of 5, and then rerunning the
+pertinent lines seen in your window.
\end{description}
\begin{figure}[htpb]
\item Click OK check button.
\end{itemize}
-The default bitrate is the largest value possible. The actual \textit{target} bitrate is calculated based on a formula from the blu-ray/DVD code. It divides the media size (in bits) by the video time (in seconds) to find the bitrate that will \textit{just fit} on the target media. This could create a weird bitrate if the media is large, and the video time is small, so the default/target bitrate is limited to $10Mb/s$.Batch jobs are then built and appended to the job list. Once these batch jobs are built, if you make any changes, you have to start over. You will see listed the batch jobs that are created to perform the rendering/tasks -- 2 jobs for blu-ray, one for audio/video processing and one for the scripts. There will be 3 batch jobs created for DVD when not using ffmpeg to include one each for audio and video and then one more for the scripts. When you click on \texttt{start}, it fires off those jobs and you will see the rendering main window progress bar in the bottom corner reflecting the fact that it is currently processing. Be aware that the \CGG{} program will be totally shutdown AFTER the batch jobs finish. Screenshot below shows BD blu-ray creation with 2 batch jobs queued up and ready to go.
+The default bitrate is the largest value possible. The actual \textit{target} bitrate is calculated based on a formula from the blu-ray/DVD code. It divides the media size (in bits) by the video time (in seconds) to find the bitrate that will \textit{just fit} on the target media. This could create a weird bitrate if the media is large, and the video time is small, so the default/target bitrate is limited to $10Mb/s$.Batch jobs are then built and appended to the job list. Once these batch jobs are built, if you make any changes, you have to start over. You will see listed the batch jobs that are created to perform the rendering/tasks -- 2 jobs for blu-ray, one for audio/video processing and one for the scripts. There will be 3 batch jobs created for DVD when not using ffmpeg to include one each for audio and video and then one more for the scripts. When you click on \texttt{start}, it fires off those jobs and you will see the rendering main window progress bar in the bottom corner reflecting the fact that it is currently processing. Be aware that the \CGG{} program will be totally shutdown AFTER the batch jobs finish.
-Figure~\ref{fig:dvd-batch01} for DVD and Figure~\ref{fig:dvd-batch02} for BD shows a creation render ready to be started. Note that because it is not ffmpeg, the processing of video is done separately from audio. If you need to modify the video tracks, which you can see is ghosted out, you need to highlight the first batch job listed. Be sure to highlight the first batch job before pressing Start so it runs all of the jobs and be sure the X for job enabled is set.
+Figure~\ref{fig:dvd-batch01} for DVD and Figure~\ref{fig:dvd-batch02} for BD show creation renders with batch jobs queued up and ready to be started. Note that because it is not ffmpeg, the processing of video is done separately from audio. If you need to modify the video tracks, which you can see is ghosted out, you need to highlight the first batch job listed. Be sure to highlight the first batch job before pressing Start so it runs all of the jobs and be sure the X for job enabled is set.
\begin{figure}[htpb]
\centering
This will produce a new directory in your target path which contains a filesystem image file.
For example: \\
-\texttt{/TargetDirectory/bd\_20150820-093747} \\
+\texttt{/<target directory>/bd\_(or dvd\_)<date-time>/} \\
Directory and file names should not be changed at this time because the scripts and programs rely on the given names in order to proceed. You can change them later for your own purposes.
If bluray to test the filesystem you just created, use the command line interface; loopback mount the filesystem image which was generated in the target directory. For example if blu-ray:
\begin{lstlisting}[style=sh]
-cd /TargetDirectory/bd_20150820-093747/
+cd /<target directory>/bd_(or dvd_)<date-time>/
mount -o loop,ro ./bd.udfs ./udfs
#check the media using a compatible media rendering tool like ffplay
umount ./udfs...
\subsubsection*{Blu-ray Media}
\label{ssub:bluray_media}
+\index{BluRay}
For rewritable blu-ray (recommended) (BD-RE):
-Note: unwritten (virgin) media must be formatted first using:
+Note: new or previously unwritten media must be formatted first using:
\begin{lstlisting}[style=sh]
dvd+rw-format /dev/bd #only done once and does not take very long
To write or rewrite rewritable blu-ray media:
\begin{lstlisting}[style=sh]
-cd /TargetDirectory/bd_20150820-093747/
+cd /<target directory>/bd_(or dvd_)<date-time>/
dd if=./bd.udfs of=/dev/bd bs=2048000 #the growisofs command below also works
\end{lstlisting}
To write blu-ray write-once media: (BD-R) (no pre-formatting needed):
\begin{lstlisting}[style=sh]
-cd /TargetDirectory/bd_20150820-093747/
+cd /<target directory>/bd_(or dvd_)<date-time>/
growisofs -dvd-compat -Z /dev/bd=./bd.udfs
\end{lstlisting}
\subsubsection*{DVD Media}
\label{ssub:dvd_media}
+\index{DVD}
For rewritable DVD (DVD+RW):
-Note: unwritten (virgin) media must be formatted first using:
+Note: unwritten media must be formatted first using:
\begin{lstlisting}[style=sh]
dvd+rw-format /dev/dvd #only done once and does not take very long
To write a DVD, load blank media and run the following from the command line (requires dvdauthor):
\begin{lstlisting}[style=sh]
-cd /TargetDirector/dvd_20160404-175416
+cd /<target directory>/bd_(or dvd_)<date-time>/
growisofs -dvd-compat -Z /dev/dvd -dvd-video ./iso
\end{lstlisting}
\subsubsection*{SD Example: Partial Output during \CGG{} run}
\label{ssub:sd_example_partial_output}
+\index{DVD!partial output messages run}
\begin{lstlisting}[style=sh]
...
\subsubsection*{BD Example: Partial Output during \CGG{} run}
\label{ssub:bd_example_partial_output}
+\index{BluRay!partial output messages run}
\begin{lstlisting}[style=sh]
...
\subsubsection*{SD Example – Partial Output during writing disc media}
\label{ssub:sd_example_partial_output_writing}
+\index{DVD!partial output messages writing}
\begin{lstlisting}[style=sh]
growisofs -dvd-compat -Z /dev/sr0 -dvd-video /tmp/dvd_20161224-160756/iso
\subsubsection*{BD Example – Partial Output during writing disc media}
\label{ssub:bd_example_partial_output_writing}
+\index{BluRay!partial output messages writing}
\begin{lstlisting}[style=sh]
growisofs -dvd-compat -Z /dev/sr0=/tmp/bd_20161224-155658/bd.udfs
\section{Debugging DVDs Creation}%
\label{sec:debugging_dvd_creation}
+\index{DVD!debugging}
+\index{BluRay!debugging}
This section contains helpful hints, how to initially check the results, and some information on determining what might have gone wrong and how to address it.
\subsubsection*{Checklist for Troubleshooting}
\label{ssub:checklist_troubleshooting}
+\index{DVD!troubleshooting}
+\index{BluRay!troubleshooting}
\begin{itemize}
\item Are you logged in as root? This is required in order to loopback mount files for bluray and to write media on \texttt{/dev/hardware}. See section \hyperref[sec:bluray_workaround_mount_umount]{13.7} for a workaround for normal user mode.
\item Did you correctly interpret the frame rate if using interlaced format to be $\frac{1}{2}$ due to interlacing?
\end{itemize}
-\section{Subtitles}%
-\label{sec:subtitles}
+\section{DVD-Subtitles}%
+\label{sec:dvd_subtitles}
+\index{DVD!subtitles}
-DVD (not blu-ray... yet) subtitles are added by using the main window pulldown \texttt{File $\rightarrow$ Subtitle} which brings up a window allowing you to type the filename of a previously generated text file containing the desired words/lines, the script. After entering the filename, click \texttt{Load} to read in your script. By creating a script file ahead of time, it lets you easily add dialog that was already written out and carefully edited for spelling and proper grammar.
-
-The format of the script/text input file has specific requirements as listed below:
-
-\begin{itemize}
- \item Lines can be any length but they will be broken up to fit according to some criteria below.
- \begin{itemize}
- \item Running text used as script lines will be broken into multiple lines.
- \item The target line length is 60 characters.
- \item Punctuation may be flagged to create an early break.
- \item Single carriage return ends an individual script line.
- \item Double carriage return indicates the end of a entry and helps to keep track of where you are.
- \end{itemize}
- \item The "\textit{=}" sign in column 1 indicates a comment seen in the script text to assist you in location.
- \item An "\textit{*}" at the beginning of the line is a comment and not a script line.
- \item \textit{Whitespace} at either the beginning of a script line or the end will be removed.
-\end{itemize}
-
-Figure~\ref{fig:subtitle01} shows the Subtitle window you will see.
-
-\begin{figure}[htpb]
- \centering
- \includegraphics[width=0.8\linewidth]{subtitle01.png}
- \caption{Subtitle window}
- \label{fig:subtitle01}
-\end{figure}
-
-To put the subtitles onto your media, first add a subtitle track via the pulldown \texttt{Track $\rightarrow$ Add Subttl}. In the Subtitle window, note that there are 2 major textboxes. There is the \textit{Script Text} textbox showing the current entry of text from your input file and there is the \textit{Line Text} textbox showing the currently active text. In your subtitle track, select a timeline region (in/out or drag select with hairline cursor/highlight) to indicate the region where you want the active Line Text to be pasted. Then click the \texttt{Paste} button in the Subtitle window to paste the line onto the subtitle track. Silence will be added to the subtitle track in the places in the media where there are gaps.
-
-Editing in the Line Text box can be used to change the active script line. By double clicking the timeline over the subtitle track, you can reselect the active script line. The subtitle text will be reloaded into the Line Text box and can be edited and re-pasted as the new active subtitle text. You can also highlight multiple lines in the Script Text box and paste them (using the usual window paste methodology) into the Line Text box. After pasting to the timeline, the Line Text box will be updated with the next script line. In addition, if you triple click a line in the \textit{Script Text} box, it will automatically become the current line in the \textit{Line Text} box.
-
-When you are finished, before clicking \textit{Save}, you must supply a legitimate filename in the \textit{Path} box; your current directory will be used if only a filename but no directory path is supplied. The filename used will automatically have a "--" after it followed by the \textit{track label} and then \textit{udvd} extension added; any extension in the filename will be removed.. If you click OK before saving, the subtitle script position is saved with the session. This is convenient for continuing where you left off.
-
-\noindent To reposition the script, use the slider or tumbler buttons:
-
-\textit{Slider} bar to move through the text entries quickly. \\
-\textit{Prev} or \textit{Next} buttons to go to the previous or next script line.
-
-\begin{figure}[htpb]
- \centering
- \includegraphics[width=1.0\linewidth]{subtitle02.png}
- \caption{Subtitles on timeline}
- \label{fig:subtitle02}
-\end{figure}
-
-\noindent Figure~\ref{fig:subtitle02} shows what the pasted subtitle script looks like in a portion of the main window.
+\CGG{} supports the .udvd format of DVDs, so you can create subtitles on the timeline and then save them as .udvd files.
+For how the subtitle tool works see: \nameref{sec:subtitles}
+The subtitle format for Blu-Ray is PGS with a .sup extension which CinGG does not support. It is an image format (also 3D) so it can be created, converted and extracted only via specific OCR. You can use external programs like ffmpeg; SubTitle Editor; MKVToolNix; etc.
\section{Dvd Interlaced Chroma}%
\label{sec:dvd_interlaced_chroma}
+\index{DVD!yuv420p interlace mode}
\CGG{} uses 4:4:4 colorspace to edit, so it is necessary to convert interlaced 4:2:0 video to 4:4:4.
But you can run into problems, referred to as the \textit{chroma bug}, which you see in DVD media displayed on higher resolution monitors -- streaks or spiky horizontal lines are visible in the chroma channel, especially on diagonal edges. The Chroma Bug is specific to MPEG and 4:2:0 encoding.
\section{HDV on a Blu-ray Disc Without Re-encoding}%
\label{sec:hdv_bd_without_reencoding}
+\index{BluRay!HDV without re-encoding}
An MTS file is a video file saved in the high-definition (HD) MPEG Transport Stream video format, commonly called \textit{AVCHD}. It contains HD video compatible with Blu-ray disc format and is based on the MPEG-2 transport stream. MTS files are often used by Sony, Panasonic, Canon and other HD camcorders. Legal input for Video -- MPEG1VIDEO, MPEG2VIDEO, H264; Audio -- MP1, MP2, AC3, AC3PLUS, DTS, TRUHD.
\section{Blu-ray from Multiple \CGG{} Output}%
\label{sec:bluray_multiple_cinelerra_output}
+\index{BluRay!multiple output}
Writing prepared multiple \CGG{} output files, \texttt{bd.m2ts}, to a single bluray disc is relatively easy to do but is not done automatically. You can render all of the desired files via the Create BD menu, save each individual \texttt{bd.m2ts} file with a unique name, construct a Menu Title that reflects the contents of each of these files, then manually use a few commands to create a udfs file to be written to BD.
projects / goodguy / cin-manual-latex.git / blobdiff