3 # Name of plugin followed by: and then description.
4 # Additional lines start with 2 tabs.
5 # Lines should be less than 70 characters long.
6 #123456789012345678901234567890123456789012345678901234567890123456789
7 # For usage/readability, a period (.) creates space.
8 1080 to 480: Extracts 2 1920x540 fields from 1920x1080
9 image, resizes them separately, and
10 combines them to 1920x480 interlaced image.
11 1080 to 540: Extracts 2 1920x540 fields from 1920x1080,
12 image, resizes them separately, and
13 combines them to 1920x540 interlaced image.
14 AgingTV: Use to achieve an "old" movie or TV show
15 effect by adding moving lines and snow.
16 Auto Scale: Automatically scale to a specified size.
17 Blue Banana: Used for color transformation or remapping as
18 well as chroma-key filtering. Basic usage:
19 . Select a specifc target color.
20 . Create a selection region by expanding color.
21 . Optionally reduce or expand the alpha plane.
22 . Optionally apply a color remapping to selection.
23 . Optionally reset the output alpha to opaque.
24 1) choose your color, click Pick, check Mark Selected
25 2) modify selection in the Color Selection area
26 3) uncheck Mark Selected, and check Filter Active
27 4) adjust your color choice as desired
28 Blur: Blurs a video track in horizontal and/or
29 vertical in chosen color channels.
30 Brightness/Contrast: Use to change the brightness or
31 contrast, but could reduce quality.
32 BurningTV: Makes your video "burn" where there are
33 small light colored patches of video.
34 C41: Converts C-41 negative film to the positive image.
35 Chroma key: Erases pixels which match chosen color;
36 they are replaced to black if there is no alpha
37 channel and transparency if there is alpha.
38 Chroma key (HSV): Replaces a color with another color or
39 transparency using HSV variables.
40 Color 3 Way: Modify color of Shadows, Midtones, and Highlights as
42 Color Balance: Modify RGB colors or white balance to compensate
43 for errors in video such as low lighting.
44 CriKey: Regionally based chroma key with interpolation;
45 useful when you only want a specific zone defined.
47 Color button is used to specify the key by color.
48 Threshold slider is used to set tolerance (0-1).
49 Key mode choices let you pick the method by which
50 the chroma key will be defined.
51 . Search - point at a zone or spot to define
52 area then uses the specified tolerance to pick an
53 edge. A fill will be performed in that area.
54 . Point - the point is the Mask, not the color.
55 . (This method has drag capabilities).
56 . Search all - works same as standard Chroma key.
57 Draw mode options let you use
58 . Alpha - matching pixels replaced with see-thru.
59 . Edge to just outline the edges of the region.
60 . Mask - matching color pixels replaced by black.
61 Decimate: Drop frames from a track which are most similar
62 in order to reduce frame rate.
63 Deinterlace: Several selections of line replication to eliminate
64 comb artifacts in interlaced video.
65 Deinterlace-CV: Selection of deinterlacing mode for your video to
66 eliminate comb artifacts.
67 Delay Video: Delay the video by some number of seconds.
68 Denoise video: Clear the video of noise; specify R,G,B, or Alpha.
69 Difference key: Creates transparency in areas which are similar
70 between 2 frames; must be applied to 2 tracks.
71 DotTV: Puts various size dots over the picture to simulate
73 Downsample: Reduce the sie of an image by throwing out data,
74 reducing sampling rate.
75 Edge: Display only the edges of the video throughout the image.
76 Fields to frames: Reads frames at 2x the framerate, combining 2
77 input frames into 1 interlaced output frame.
78 FindObj: Locate a specific object in a scene and replace with
79 another object. This uses OpenCV thirdparty package.
80 Flip: Flip a portion of a video track from left to right,
81 up to down or vice versa.
82 FlowObj: Retards image motion as shown with optical flow. Uses
83 the OpenCV thirdparty package.
84 Frames to Fields: Extracts 2 interlaced fields stored in alternating
85 lines & outputs them as full frames.
86 Freeze Frame: Lowest numbered frame in highlighted area will play
88 GaborObj: Creates an interesting fractalius-like image effect.
89 Uses the OpenCV thirdparty package.
90 Gamma: Converts the logarithmic colors to linear colors
91 using gamma and maximum value.
92 Gradient: Overlays a smooth color gradient on top of every
94 HistEq: Remap colors using blended histogram weights.
95 Histogram: Shows the number of occurrences of each color on a
97 Histogram Bezier: Uses a Bezier curve (parametric) on the histogram plot.
98 HolographgicTV: Holographic tv effect.
99 Hue saturation: Use to change hue, saturation and value parameters.
100 Interpolate Bayer: Uses Bayer filter algorithm to interpolate (estimate)
101 missing color information.
102 Interpolate Video: Create illusion of higher frame rate video of low
103 framesrates by averaging over time.
104 Inverse Telecine: Effective deinterlacing tool for use on a video
106 Invert Video: Method of reversing the colors of a video track.
107 Lens: Create the effect of looking through a lens.
108 Linear Blur: Blur with parameters of length, angle, # of steps,
109 and which channels. Does Linear, Radial, or Zoom.
110 Live Video: Reads video directly from the capture card input and
111 replaces any video on the track.
112 Loop video: Loop video by specifying the length of the region to loop.
113 Motion: Tracks translation and rotation motion to stabilize
115 Motion 2 Point: Motion stabilization using 2 pass tracking.
116 Motion Blur: Uses X/Y camera automation vectors to apply a linear
117 blur trailing camera direction.
118 Motion51: Compensates for unwanted motion and stabilizes the
119 image using a unique curve/spline algorithm. A reset
120 option for defaults helps as does OpenGL if available.
122 Samples - number of pixels which software uses
123 Draw vectors - demonstrates the search operation
124 Sample Radius - radius of circle denoting area of sample
125 Center X/Y - center position of the sample circle
126 Search W/H - determines width/height used for search
127 Horiz/Vert shake limit - uses as translation constraints
128 Shake fade - how fast translation cancellation fades
129 Twist limit - determines rotation constraints
130 Twist fade - how fast rotation cancellation fades away
131 Enable Tracking - caches search results for later use
132 Tracking file - name of file with calculate results
133 MotionCV: Motion tracking/stabilization from the community
134 version of cinelerra.
135 MotionHV: Motion tracking/stabilization from the original
137 MoveObj: Move and stabilize object using OpenCV 3rd party pkg.
138 Oil Painting: Makes video tracks appear as a painting.
139 Overlay: Combine tracks via an overlayer that puts images on
140 top of a bottom layer.
141 Perspective: Allows you to change the viewpoint of an object.
142 With left mouse button, you can drag the corner or:
144 Alt/Shift + Button1 Action:
145 . 0/0 Translate endpoint
147 . 1/0 Translate image
148 . 1/1 Translate view but does not change output.
150 The red colored lines in the box show the composer boundary.
151 Use the zoom slider which changes only the zoom view to see
152 if it goes off the screen. The slider goes from 1/100 to 100.
153 Polar: Bends and warps your video in weird ways based on conversion
154 from either polar coordinates to rectangular or vice-versa.
155 RGB - 601: Used to reduce/increase contrast in your video via
156 601 compression or RGB expansion.
157 RGBShift: Align 3 separate planes of R, G, B if misaligned in
158 the video or just shift for interest. Adjust via sliders.
159 Radial Blur: Creates a whirlpool based on settings that simulates
161 ReframeRT: Changes number of frames in a sequence of video
162 directly from timeline; has Stretch and Downsample modes.
163 Reroute: Selectively transfer the alpha channel or the
164 RGB/YUV components from source to target track.
165 Reverse video: Reverse media on the timeline in realtime.
166 Rotate: Rotate the video in degree increments around a
167 pivot point or reverse and flip the video.
168 Rumbler: Jiggle space and time at a given rate for dream-like video.
169 SVG via Inkscape: Allow the manipulation of an SVG image with
170 Inkscape without having to exit the program.
171 Scale: Reduce or expand the image size depending on the ratio.
172 Scale Ratio: Manipulate your video to maintain the pixel aspect
173 ratio (proportional geometry). Change values on the
174 left and see the resuluts in the compositor window.
175 . In R,Out R - current input and output aspect ratios
176 . In W/H,Out W/H - current width and height
177 . Scale type of None,Scaled,Cropped,Filled,Horiz/Vert
178 Top aspect ratio data is used to compute bottom part.
179 Bottom part allows for repositioning the input/output.
180 Selective Temporal Averaging: Smooths out non-moving areas of a video
181 clip by averaging the color across frames.
182 Sharpen: Sharpen the video, either the luminance, horizontal,
184 ShiftInterlace: Shift the interlace lines using odd or even.
185 Sphere Cam: Converts a fisheye image into a panoramic projection.
186 Swap Frames: Swap frames with 0-1, 2-3, 4-5... or 1-2, 3-4, 5-6...
187 Swap channels: Swap R,G,B,Alpha with another color channel.
188 Threshold: Converts the image to pure luminance and replaces
189 pixels with 1 of 3 colors.
190 Time Average: Use to create trail patterns, or reduce noise in still
191 images. A number of frames is accumulated and then
192 divided by a divisor to the the average.
193 TimeFront: Performs spatio-temporal video warping.
194 Title: Add text/timestamp/background pngs to video along with
195 the ability to drag to a location if Drag checked on.
196 Current text string limitation of 3071 characters.
197 Flexible attributes in textbox (mouse right click):
198 . color, font, alpha, size, png, bold, italic, blink,
199 . ul, caps, sup(super/sub script), fixed, nudge.
200 Special characters are <, >, \, /, # (see manual).
201 Translate: Allows displacing, cropping and/or scaling video
202 horizontally/vertically.
203 Unsharp: Applies a traditional darkroom technique, unsharp
204 mask, to every video frame.
205 VideoScope: Summarizes intensity and color on a calibrated display.
206 Wave: Generates waves in video using Amplitude, Phase, and
208 Whirl: Creates a whirl (spiral) of the video around the center.
209 YUV: Modify the Y, U, V settings.
210 YUV411: Modify the 411 yuv to look like 420 color space instead.
211 YUVShift: Realign the 3 sets of YUV input video numbers when they
212 are misaligned. Use slider bars to modify.
213 Zoom Blur: Blur the video and use a zoom effect.
215 # Description of FFmpeg Video Plugins
217 F_atadenoise: Apply an Adaptive Temporal Averaging Denoiser.
218 F_avgblur: Apply average blur filter.
219 F_bbox: Compute bounding box for each frame.
220 F_bench: Benchmarks part of a filtergraph.
221 F_bitplaneoise: Measure bit plane noise.
222 F_blackdetect: Detect video intervals that are (almost) black.
223 F_blackframe: Detect frames that are (almost) black.
224 F_boxblur: Blurs the input video.
225 Through the settings you are
226 able to change the power and the
227 radius of the boxblur applied to luma, chroma and alpha.
228 F_bwdif: Deinterlaces the input image.
229 F_chromakey: Turns a certain color into
230 transparency. Operates on YUV colors.
231 F_ciescope: Video CIE scope.
232 F_colorbalance: Adjusts the color balance.
233 F_colorchannelmixer: Adjusts colors by mixing color channels.
234 F_colorkey: Turns a certain color into
235 transparency. Operates on RGB colors.
236 F_colorlevels: Adjusts the color levels.
237 F_colormatrix: Converts color matrix.
238 F_cover_rect: Find and cover a user specified object.
239 F_crop: Crops the input video.
240 F_cropdetect: Auto-detect crop size
241 F_datascope: Video data analysis.
242 F_deband: Debands video.
243 F_deflate: Applies deflate effect.
244 F_deflicker: Remove temporal frame luminance variations.
245 F_dejudder: Removes judder produced by pullup.
246 F_delogo: Removes logo from input video.
247 When using this plugin a green box will appear on the
248 screen, once the logo is inside the box the
249 plugin will hide it. Through the settings you can specify
250 the position of the logo to hide (on a X-Y axis)
251 and the size of the box (so you can adjust it to the
253 F_deshake: Stabilizes shaky video.
254 F_despill: Remove unwanted foreground colors, caused by reflected color
255 of green or blue screen.
256 F_dilation: Applies dilation effect.
257 F_doubleweave: Weave input video fields into double number of frames.
258 F_drawbox: Draws a colored box on the input video.
259 Through the settings you are able to choose the
260 position of the box on X and Y coordinates,
262 the color and the thickness of the lines.
263 F_drawgraph: Draw a graph using input video metadata.
264 F_drawgrid: Draws a colored grid on the input video.
265 Through the settings you can select the
266 horizontal and the vertical offset,
267 set the width and height of
268 the grid cell, and the color and
269 thickness of the lines.
270 F_edgedetect: Detects and draws edge.
271 F_elbg: Apply posterize effect, using the ELBG algorithm.
272 F_eq: Adjusts brightness, contrast, gamma and saturation.
273 F_erosion: Applies erosion effect.
274 F_fade: Fade in/out input video.
275 F_fftfilt: Apply arbitrary expressions to pixels in frequency domain.
276 F_field: Extract a field from the input video.
277 F_fieldorder: Set the field order.
278 F_floodfill: Fill area of the same color with another color.
279 F_framerate: Upsamples or downsamples progressive
280 source between specified frame rates.
281 F_fspp: Applies Fast Simple Post-processing filter.
282 F_gblur: Apply Gaussian Blur filter.
283 F_gradfun: Debands video quickly using gradients.
284 F_hflip: Horizontally flips the input video.
285 F_histeq: Applies global color histogram equalization.
286 F_histogram: Computes and draws a histogram.
287 F_hqdn3d: Applies a High Quality 3D Denoiser.
288 F_hqx: Scales the input by 2,
289 3 or 4 using the hq*x magnification algorithm.
290 F_hue: Adjust the hue and saturation of the input video.
291 F_idet: Interlace detect Filter.
292 F_il: Deinterleaves or interleaves fields.
293 F_inflate: Applies inflate effect.
294 F_interlace: Convert progressive video into interlaced.
295 F_kerndeint: Applies kernel deinterlacing to the input.
296 F_lenscorrection: Rectifies the image by correcting for lens distortion.
297 F_limiter: Limit pixels components to the specified range.
298 F_loop: Loops video frames.
299 F_lumakey: Turns a certain luma into transparency.
300 F_lut: Compute and apply a lookup
301 table to the RGB/YUV input video.
302 F_lutrgb: Compute and apply a lookup table to the RGB input video.
303 F_lutyuv: Combine and apply a lookup table to the YUV input video.
304 F_mcdeint: Applies motion compensating deinterlacing.
305 F_mestimate: Generate motion vectors.
306 F_mpdecimate: Remove near-duplicate frames.
307 F_negate: Negates input video.
308 F_nlmeans: Non-local means denoiser. An example usage is for the
309 recovery of VHS tapes which look bad.
310 F_noise: Adds noise to the video.
311 Through the settings you can
312 select the variables of the noise
313 (strength, flag and seed).
314 F_oscilloscope: 2D video oscilloscope. Useful to measure spatial impulse,
315 step responses, and chroma delays.
316 F_owndenoise: Denoises using wavelets.
317 F_perms: Set permissions for the output video frame.
318 F_perspective: Corrects the perspective of video.
319 F_phase: Phases shift fields.
320 F_pixscope: Pixel data analysis for checking color and levels. It will
321 display sample values of color channels.
322 F_pp: Filters video using libpostproc.
323 F_pp7: Applies Postprocessing 7 filter.
324 F_prewitt: Apply prewitt operator.
325 F_pseudocolor: Make pseudocolored video frames.
326 F_readeia608: Read EIA-608 Closed Caption codes from
327 input video and write them to frame metadata.
328 F_readvitc: Reads vertical interval
329 timecode and writes it to frame metadata.
330 F_realtime: Slows down filtering to match realtime.
331 F_removegrain: Removes grain.
332 F_repeatfields: Hard repeat fields based on MPEG repeat field flag.
333 F_roberts: Apply roberts cross operator which performs a simple/quick 2-D
334 spatial gradient measurement on the video (usually a graysacle
335 image). It highlights regions of high spatial frequency which
336 most likely correspond to edges.
337 F_rotate: Rotates the input image.
338 F_sab: Applies shape adaptive blur.
339 F_separatefields: Split input video frames into fields.
340 F_showinfo: Show textual information for each video frame.
341 F_shuffleframes: Shuffles video frames.
342 F_shuffleplanes: Shuffles video planes.
343 F_signalstats: Separates statistics from video analysis.
344 F_smartblur: Blurs the input video without impacting
345 the outlines. Through the settings you can
347 the strength and the threshold of luma and chroma.
348 F_sobel: Applies sobel operator.
349 F_spp: Applies a simple post processing filter.
350 F_stereo3d: Converts video stereoscopic 3D view.
351 F_super2xsai: Scales the input by 2x using
352 the Super2xSal pixel art algorithm.
353 F_swaprect: Swaps 2 rectangular objects in video.
354 F_swapuv: Swaps U and V components.
355 F_tinterlace: Performs temporal field interlacing.
356 F_tlut2: Compute and apply a lookup table from 2 successive frames.
357 F_transpose: Transposes input video.
358 F_uspp: Applies Ultra Simple/Slow Post-processing filter.
359 F_vaguedenoiser: Applies a Wavelet based Denoiser.
360 F_vectorscope: Video vectorscope.
361 F_vflip: Flips the input video vertically.
362 F_vignette: Makes or reverses a vignette effect.
363 Through the settings you can set the circle center
364 position on a X-Y axis,choose the angle,
365 the aspect and set the dithering of the vignette.
366 F_w3dif: Applies Martin Weston three field deinterlace.
367 F_waveform: Video waveform monitor.
368 F_weave: Weaves input video fields into frames.
369 F_xbr: Scales the input using xBR algorithm.
370 F_yadif: Deinterlaces the input image.
371 F_zoompan: Applies Zoom & Pan effect.
373 # Description of FFmpeg Audio Plugins
375 F_abench: Benchmark part of a filtergraph.
376 F_acompressor: Audio compressor.
377 F_acrusher: Reduces audio bit resolution.
378 F_adelay: Delays one or more audio channels.
379 F_aecho: Adds echoing to the audio.
380 F_aemphasis: Audio emphasis.
381 F_aeval: Filters audio signal according to a specific expression.
382 F_afade: Fades in/out input audio.
384 F_allpass: Applies a two-pole all-pass filter.
385 F_aloop: Loops audio samples.
386 F_anoisesrc: Generates a noise audio signal.
387 F_aperms: Set permissions for the output audio frame.
388 F_aphaser: Adds a phasing effect to the audio.
389 F_arealtime: Slows down filtering to match realtime.
390 F_aresample: Resamples audio data.
391 F_astats: Shows time domain statistics about audio frames
392 F_atempo: Adjusts audio tempo.
393 F_atrim: Pick one continuous section from the input, drop the rest.
394 F_bandpass: Applies a two-pole Butterworth band-pass filter.
395 F_bandreject: Applies a two-pole Butterworth band-reject filter.
396 F_bass: Boosts or cuts lower frequencies.
397 F_biquad: Applies a biquad IIR filter with the given coefficents.
398 F_chorus: Adds a chorus effect to the audio.
399 F_compand: Compresses or expands audio dynamic range.
400 F_compensationdelay: audio compensation delay line.
401 F_crossfeed: Apply headphone crossfeed which blends the left and right
402 channels of a stereo audio recording. It is mainly used
403 to reduce extreme stereo separation of low frequencies in
404 order to produce more speaker like sound.
405 F_crystalizer: Simple Expand Audio Dynamic Range filter.
406 F_dcshift: Applies a DC shift to the audio.
407 F_dyaudnorm: Dynamic Audio Normalizer. When using this plugin,
408 be sure to “attach effect” to all audio tracks by dragging
409 the plugin to the 1st audio track and then right mouse
410 clicking all subsequent audio tracks which brings up an menu.
411 Highlight the effect shown in the middle section and click OK.
412 F_earwax: Widens the stereo image. When using this plugin,
413 be sure to “attach effect” to all audio tracks by dragging
414 the plugin to the 1st audio track and then right mouse
415 clicking all subsequent audio tracks which brings up an menu.
416 Highlight the effect shown in the middle section and click OK.
417 F_equalizer: Applies two-pole peaking equalization (EQ) filter.
418 F_extrastereo: Increases difference between stereo audio
419 channels. When using this plugin, be sure to
420 “attach effect” to all audio tracks by dragging
421 the plugin to the 1st audio track and then right mouse
422 clicking all subsequent audio tracks which
423 brings up an menu. Highlight the effect shown in the
424 middle section and click OK.
425 F_flanger: Applies a flanging effect to the audio.
426 F_haas: Apply Haas Stereo Enhancer for a more natural sounding pan effect
427 or more clarity in the center of the mix. With this filter
428 applied to mono signals it give some directionality and stretches
430 F_highpass: Applies a high-pass filter with 3dB point frequency.
431 F_loudnorm: EBU R128 loudness normalization.
432 F_lowpass: Applies a low-pass filter with 3dB point frequency.
433 F_silenceremove: Removes silence.
434 F_sine: Generate sine wave audio signal.
435 F_stereotools: Applies various stereo tools. When using this plugin,
436 be sure to “attach effect” to all audio tracks by dragging
437 the plugin to the 1st audio track and then right mouse
438 clicking all subsequent audio tracks which brings up an menu.
439 Highlight the effect shown in the middle section and click OK.
440 F_stereowiden: Applies stereo widening effect. When using this plugin,
441 be sure to “attach effect” to all audio tracks by dragging
442 the plugin to the 1st audio track and then right mouse
443 clicking all subsequent audio tracks which brings up an menu.
444 Highlight the effect shown in the middle section and click OK.
445 F_treble: Boosts or cuts upper frequencies.
446 F_tremolo: Applies tremolo effect.
447 F_vibrato: Applies vibrato effect.
448 F_volume: Change input volume.
452 AM pitchshifter: runs a single write pointer and two read pointers
453 over a ringbuffer. The output is faded between the
454 two readpointers according to the sine of the distance
455 from the write pointer. The design is based on the
456 mechanism of a mechanical pitchshifter.
457 Aliasing: Effect that causes different signals to become aliases
458 of one another when sampled..
459 #Allpass delay line, cubic spline interpolation:
460 #Allpass delay line, linear interpolation:
461 #Allpass delay line, noninterpolating:
462 Analogue Oscillator: Simulates the output you get from an analogue synth's
463 oscillators. You can get a reasonable emualtion of a 303's square.
465 Artificial latency: used to correct for latency between channels.
466 Audio Divider (Suboctave Generator): Reduces the period of the signal by
467 the factor given, and makes it a square wave in the process.
468 Has some amplitude tracking capability.
469 AudioScope: Convert input audio to video output representing the
470 audio power spectrum. Shows you the sound wave.
472 Barry's Satan Maximiser: Compresses signals with a very short attack and
473 decay, infinite ratio and hard knee. Gives good harsh
474 (non-musical) distortion.
475 Bode frequency shifter: A popular analogue synth module, it works by
476 shifting all the frequencies of an input signal up or
477 down by a specified frequency
478 Bode frequency shifter (CV): Controls the frequency shift applied to
479 the input signal, in KHz.
480 Chebyshev distortion: Interesting distortion effect that is seeded
481 from incoming signal envelope.
482 Comb Filter: Controls the distance between the filters peaks.
483 Comb Splitter: Divides the input up into two parts with frequency
484 peaks at f Hz intervals, skewed by f/2 Hz between
486 #Comb delay line, cubic spline interpolation:
487 #Comb delay line, linear interpolation:
488 #Comb delay line, noninterpolating:
489 Compressor: Lessen the dynamic range between the loudest and quietest
490 parts of an audio signal by boosting the quieter signals
491 and attenuating the louder signals.
492 Constant Signal Generator: Add an output DC offset at the given amplitude
493 to the input signal. It has no real use other than for
494 debugging and in modular synths.
495 Crossfade: Controls the degree to which the inputs are mixed into
496 the output. Value of -1 means that the output is just
497 the A input, and a value of 1.0 means it is just the B.
498 Crossfade (4 outs): Controls the degree to which the inputs are mixed
499 into the output. Value of -1 means the output is just
500 the A input, and a value of 1.0 means it is just the B.
501 Crossover distortion: Simulation of the distortion that happens in class
502 B and AB power amps when the signal crosses 0.
503 DC Offset: Remove DC Offset, which is usually an undesirable
504 characteristic of a recording normally caused by
505 defective equipment. (Has no controls)
506 DC Offset Remover: Remove DC Offset, which is usually an undesirable
507 characteristic of a recording normally caused by
509 DJ EQ: 3-band Equalization - Hi-Mid-Lo.
512 Decimator: Reduces the effective sample rate, and reduces the
513 bit depth of the input signal.
514 Declipper: Removes clicks from input signals.
515 Delay audio: Delay the audio by a specified time offset.
517 Denoise: Reduce audio background noise.
518 DenoiseFFT: Noise removal from audio using FFT editing.
519 Despike: Detect and eliminate out of range impulse values.
520 Diode Processor: Mangles the signal as if it had been passed through
521 a diode rectifier network.
522 Dyson compressor: Compress peaks to reduce dynamic range and create
523 room to increase audio levels
524 EQ Graphic: Graphic equalizer which sets the output levels for
525 specified frequency bands.
526 EQ Parametric: Parametric equalizer to show and output levels for
527 frequency, quality, level, mode, and wetness.
528 Echo: Add echo - reflection of sound - for effect.
529 . Level represents the volume adjustment
530 . Atten is the reflected output level
531 . Offset is the lag in the attenuated echo signal
532 EchoCancel: Removes echoes from audio to improve the quality.
533 Detects and removes time delayed reflections.
534 Exponential signal decay: Time for the echoes to decay by 60 DCBs.
536 Fast Lookahead limiter: A limiter with an attack time of 5ms. It adds
537 just over 5ms of lantecy to the input signal, but
538 guarantees no signals over the limit, and tries to
539 get the minimum amount of distortion.
540 Fast overdrive: Compresses the extreme peaks to make a sound similar
541 to an overdriven amplifier.
542 Flanger: Digital flanger implementation. Uses excursion,
543 controlled bandwidth modulation function, which makes
544 the modulation less repetitive and noticable.
545 Foldover distortion: Uses a sine wave approximation to simulate
546 valve style foldover distortion.
547 Fractionally Addressed Delay Line: Fixed ring buffer delay implementation.
548 Has different dynamics than a normal delay
549 Freeverb: Adds effect of multiple decaying echoes to audio
550 signals based on a specific algorithm. Common use
551 of reverb is simulate music played in a closed room.
552 Frequency tracker: Controls the level of damping applied to the output.
553 High values make the frequency output jump around,
554 low values make it a bit slow to respond.
555 GLAME Butterworth Highpass: Cuts off frequencies below a certain point.
556 GLAME Butterworth Lowpass: Cuts off frequencies above a certain point.
557 GSM simulator: Encodes and decodes signal using the GSM voice
558 compression system. Has the effect of making it sound
559 like being sent over a European mobile phone network.
560 GVerb: A mono In, stereo Out reverb implementation.
561 Gain: Add gain, input level, to increase/decrease loudness.
563 Giant flange: A normal flanger with excessively long delay times.
564 Glame Bandpass Analog Filter: IIR bandpass filter modeled after a
566 Glame Bandpass Filter: Allows you to tweak the number of stages used
567 for filtering. Every stage adds two more poles, which
568 leads to a steeper dropoff.
569 #Glame Butterworth X-over Filter:
570 Glame Highpass Filter: IIR highpass filter allows you to tweak the
571 number of stages used for filtering. Every stage adds
572 2 more poles, which leads to steeper dropoff.
573 #Glame Lowpass Filter:
574 Gong beater: Simulates the action of a beator on a gong surface,
575 used to trigger the gong physical model.
576 Gong model: Physical model of a metal gong.
577 Hard Limiter: Brick hard limiter with residue mixer.
578 Harmonic generator: Allows you to add harmonics and remove the
579 fundamental from any audio signal.
580 Hermes Filter: Simulation of a modern analogue synth called a Pro Tone,
581 Higher Quality Pitch Scaler: Pitch shifter implementation that scales
582 the harmonics appropriately with the base frequencies.
583 Hilbert transformer: Phase shifts the input signal by 90 degrees. It
584 outputs the 90 degree phase shifted signal and the
585 unshifted signal, both delayed by an equal amount.
586 Impulse convolver: Convolver for a set of short impulses which have to
588 Interpolate: Generate a smooth curves based on sound - currently,
589 does not appear to work. (Has no controls).
590 Invert Audio: Reverses the numerical sign of the digital audio.
592 Inverter: Utility plugin that inverts the signal.
593 Karaoke: Attempts to strip the vocals from a stereo signal.
594 L/C/R Delay: A left/center/right delay with feedback
596 LS Filter: Filter similiar to the filter used in giga sampler.
597 Live Audio: Reads audio directly from the soundcard input,
598 replacing any audio on track.
599 Loop audio: Loop some number of samples of audio over and over.
600 Mag's Notch Filter: Allows you to tweak the number of stages used for
601 filtering. Every stage adds two more poles, which
602 leads to a steeper dropoff.
603 Matrix Spatialiser: Simple spatializer to control the width of a
605 #Matrix; MS to Stereo:
606 #Matrix; Stereo to MS:
607 Modulatable delay: A delay whose tape is modulated at audio rate.
608 Mono to Stereo splitter: Takes mono input signal, and outputs it to
609 both left and right channel.
610 Multiband EQ: Multiband graphical equalizer implemented using FFT.
611 Multivoice Chorus: Implementation of a Multivoice chorus algorithm,
612 using a sync based noise interpolation method to
613 produce a modulation law making it possible to have
614 many voices without the metallic, artificial sound.
615 #Nonbandlimited single-sample impulses (Frequency; Control):
616 Overlay: Overlay Top or Bottom track in Add/Multiply mode.
617 Pitch Scaler: Pitch shifter implementation that scales the harmonics
618 appropriately with the base frequencies.
619 Pitch shift: Uses FFT to try to change the pitch without
620 changing the duration.
621 Plate reverb: Physical model of a steel plate reverb. It uses 8
622 linear waveguides to model the plate.
623 Pointer cast distortion: Distortion is created by treating the floating
624 point repesentation of the input signal as a 0.32 1's
625 complement fixed point integer. Not musical but still
626 recognizable. Makes interesting noises.
627 Rate shifter: Stretches or compresses the input with a ringbuffer.
628 Remove Gaps: Remove silent gap (below DB threshold) which persist
629 for more than the time limit.
630 ResampleRT: Allows you to convert an audio file from one
631 sample rate to another.
632 Retro Flanger: Model of someone flanging the input. Models the tape
633 saturation effects and frequency smear of a manual
634 flanger. Results are distorted, but more subtle
635 flanger sound than you get from a digial flanger.
636 Reverb: Reflections of sound to add depth and fullness.
637 Simulates creation of a large number of reflections
638 (lots of walls) which build up and then decay.
639 Reverse Delay (5s max): A reverse delay.
640 Reverse audio: Play the audio backwards.
641 Ringmod with LFO: Simple ring modulator and LFO.
642 Ringmod with two inputs: Simple 2 input ring modulator.
643 SC1: High quality RMS compressor designed for musical work.
644 SC2: Compressor with sidechain.
645 SC3: Stereo compressor with sidechain input.
646 SC4: Stereo compressor with variable envelope follower for
648 SC4 mono: Mono compressor with variable envelope follower for
650 SE4: Stereo expander with variable envelope follower for
652 Signal sifter: Sorts and mixes blocks of the input signal to give a
653 bumpy ramp effect. Can produce some interesting noises.
654 Simple amplifier: Controls the gain of the input signal in dB's.
655 #Simple delay line, cubic spline interpolation:
656 #Simple delay line, linear interpolation:
657 #Simple delay line, noninterpolating:
658 Sine + cosine oscillator: Simple oscillator that outputs sinewaves
659 with a 90 degree phase shift between them.
660 Single band parametric: A single band of a parametric filter.
661 Sinus wavewrapper: Produces unusual distortion, for amp like tone.
663 SoundLevel: Displays the Max/RMS sound level in decibels.
664 Spectrogram: Visual representation of the sound levels at
665 specified frequencies as they vary with time.
666 State Variable Filter: Oversampled state variable filter with tweaks.
667 Step Demuxer: Inputs up to 8 signals and switches between them on
668 output when the signal on the clock input goes high.
669 Surround matrix encoder: Allows you to encode 4 channels of sound into
670 a stereo compatible stream that will be decoded by a
671 Dolby1 Surround/Pro-Logic decoder into Left, Right,
672 Center and Surround signals.
673 Synthesizer: Generate synthesizer sounds; to set key data, turn on
674 Generate keyframes while tweeking.
675 Tape Delay Simulation: Models the tape motion and some smear effect,
676 Time Stretch RT: Change the speed of an audio signal without affecting
679 #Triple band parametric with shelves:
681 Valve saturation: Model of valve (tube) distortion, lacking some of
682 the harmonics you would get in a real tube amp.
683 Vocoder: A category of voice codec that analyzes and synthesizes
684 the human voice signal for audio data compression,
685 multiplexing, voice encryption, voice transformation,+.
686 VyNil (Vinyl Effect): Sounds like it is being played from a record.
687 Wave Terrain Oscillator: x and y move the cursor around on a 2D
688 landscape wavetable used to generate the output.
689 z-1: Implements the z-1 function - a single sample delay.
691 # Transitions - Audio and Video
693 Crossfade: Creates a smooth transition from one audio source
694 edit to another. The crossfade has the first
695 source fade out while the second fades in.
696 BandSlide: Bands slide across video and you see the image slide.
697 BandWipe: Bands wipe across the video and you see the mask slides.
698 Dissolve: A soft dissolve transition between two video segments,
699 The left segment turns more transparent while at the
700 same time the right segment materializes into place.
701 Flash: The video flashes when transitioning between segments.
702 IrisSquare: Video switches segments via a small rectangular view
703 that gradually grows to full size.
704 Shape Wipe: Wipe a specific shape across the video. Available
705 shapes are: burst, circle, clock, heart, specks, spiral,
707 Slide: Image slides into view - can set: Left/Right/In/Out.
708 Wipe: Wipe the image across screen starting left or right.
709 Zoom: Zoom out video at X/Y magnification for some seconds.
projects / goodguy / history.git / blob