Merge branch 'master' of https://github.com/Andrea-Paz/cin-manual-latex

[goodguy/cin-manual-latex.git] / parts / Attributes.tex

diff --git a/parts/Attributes.tex b/parts/Attributes.tex
index 79f74f3c5488e99dea92b3955736a19aabcdf4e8..d29359a4c727418c0c555b8f64716a827c2a4946 100644 (file)
--- a/parts/Attributes.tex
+++ b/parts/Attributes.tex
@@ -116,20 +116,21 @@ Explanation of the various fields is described next.
 
         \begin{description}
             \item[RGB-8 bit] 
-                Allocates 8 bits for the R, G, and B channels and no alpha. This is normally used for uncompressed media with low dynamic range.
+                Allocates 8\,bits for the R, G, and B channels and no alpha. This is normally used for uncompressed media with low dynamic range.
             \item[RGBA-8 bit]
-                Allocates an alpha channel to the 8 bit RGB colormodel. It can be used for overlaying multiple tracks.\\
+                Allocates an alpha channel to the 8\,bit RGB colormodel. It can be used for overlaying multiple tracks.\\
             \item[RGB-Float]
-                Allocates a 32 bit float for the R, G, and B channels and no alpha. This is used  for high dynamic range processing with no transparency.
+                Allocates a 32\,bit float for the R, G, and B channels and no alpha. This is used  for high dynamic range processing with no transparency.
             \item[RGBA-Float]
-                This adds a 32 bit float for alpha to RGB-Float. It is used for high dynamic range processing with transparency.\\
+                This adds a 32\,bit float for alpha to RGB-Float. It is used for high dynamic range processing with transparency.\\
             \item[YUV-8 bit]
-                Allocates 8 bits for Y, U, and V. This is used for low dynamic range operations in which the media is compressed in the YUV color space. Most compressed media is in YUV and this derivative allows video to be processed fast with the least color degradation.
+                Allocates 8\,bits for Y, U, and V. This is used for low dynamic range operations in which the media is compressed in the YUV color space. Most compressed media is in YUV and this derivative allows video to be processed fast with the least color degradation.
             \item[YUVA-8 bit]
-                Allocates an alpha channel to the 8 bit YUV colormodel for transparency.
+                Allocates an alpha channel to the 8\,bit YUV colormodel for transparency.
+        \end{description}       
                 In order to do effects which involve alpha channels, a colormodel with an alpha channel must be selected. 
                 These are RGBA-8 bit, YUVA-8 bit, and RGBA-Float. 
-                The 4 channel colormodels are slower than 3 channel colormodels, with the slowest being RGBA-Float. 
+                The 4 channel colormodels are slower than 3\,channel colormodels, with the slowest being RGBA-Float. 
                 Some effects, like fade, work around the need for alpha channels while other effects, like chromakey, require an alpha channel in order to be functional.  
                 So in order to get faster results, it is always a good idea to try the effect without alpha channels to see if it works before settling on an alpha channel and slowing it down.
 
@@ -140,7 +141,7 @@ Explanation of the various fields is described next.
                 16 bit integers were used in the past and were too lossy and slow for the amount of improvement.  
                 RGB float does not destroy information when used with YUV source footage and also supports brightness above 100\,\%. 
                 Be aware that some effects, like Histogram, still clip above 100\,\% when in floating point.
-        \end{description}
+        
     \item[Interlace mode:]
         this is mostly obsolete in the modern digital age, but may be needed for older media such as that from broadcast TV.  Interlacing uses two fields to create a frame. One field contains all odd-numbered lines in the image; the other contains all even-numbered lines.  Interlaced fields are stored in alternating lines of interlaced source footage. The alternating lines missing on each output frame are interpolated.
 \end{description}