Andrea added new HV plugins

[goodguy/cin-manual-latex.git] / parts / Editing.tex

diff --git a/parts/Editing.tex b/parts/Editing.tex
index 6fa99a0cbe721158ae88223a88915d4e5c91594b..47af1847b49f6884e9b8cc5615f690da0db54bdf 100644 (file)
--- a/parts/Editing.tex
+++ b/parts/Editing.tex
@@ -395,7 +395,7 @@ using the main menu \textbf{File pulldown} and choose \textit{Load
 timeline stays unchanged while new resources are brought in. Go to
 the Resources window \index{resources window} and select the Media folder. The newly loaded
 resources will appear. Double click on a resource or drag it from
 timeline stays unchanged while new resources are brought in. Go to
 the Resources window \index{resources window} and select the Media folder. The newly loaded
 resources will appear. Double click on a resource or drag it from

-the media side of the window over to the Viewer window \index{viewer window}.
+the media side of the window over to the Viewer window \index{viewer!window}.

 
 Check to make sure there are enough armed tracks on the timeline to
 put the subsections of source material that you want.  Usually this
 
 Check to make sure there are enough armed tracks on the timeline to
 put the subsections of source material that you want.  Usually this


@@ -655,7 +655,7 @@ two edits.  In order to have the video and audio aligned, it works
 best to have \texttt{Settings $\rightarrow$ Align cursor on
   frames} \index{align cursor on frames}.  When a blade cut occurs, the edges are created as
 \textit{hard edges}. \index{hard edge} These are edges that cannot be deleted by
 best to have \texttt{Settings $\rightarrow$ Align cursor on
   frames} \index{align cursor on frames}.  When a blade cut occurs, the edges are created as
 \textit{hard edges}. \index{hard edge} These are edges that cannot be deleted by

-track optimizations \index{timeline optimization}.
+track optimizations \index{timeline!optimization}.

 %
 \CGG{} has built-in optimization on the timeline.  So that whenever
 two parts on the timeline are sequential frames, it automatically
 %
 \CGG{} has built-in optimization on the timeline.  So that whenever
 two parts on the timeline are sequential frames, it automatically


@@ -1154,7 +1154,7 @@ If using certain operating systems (for example Ubuntu and Arch) that might fiel
        \item Release the Alt key
 \end{enumerate}
 
        \item Release the Alt key
 \end{enumerate}
 

-\section{Inter-View Mode\;/\;Identifying Source Targets}%
+\section{Inter-View Mode -- Identifying Source Targets}%

 \label{sec:inter-view_identifying_source_target}
 \index{inter-view}
 
 \label{sec:inter-view_identifying_source_target}
 \index{inter-view}
 


@@ -1400,11 +1400,11 @@ You can create as many Viewer windows as you want in \CGG{}.  These are handy fo
        \label{fig:multi-view01}
 \end{figure}
 
        \label{fig:multi-view01}
 \end{figure}
 

-\section[ShuttlePROv2 and ShuttleXpress Jog Wheels for Editing]{ShuttlePROv2 and ShuttleXpress Jog Wheels for Editing\protect\footnote{programmatic specifications from Eric Messick}}%
+\section[ShuttlePROv2 and ShuttleXpress Jog Wheels for Editing]{ShuttlePROv2 and ShuttleXpress Jog Wheels for Editing}%

 \label{sec:shuttle_jog_wheels_editing}
 \index{shuttle pro v2 and shuttlexpress}
 
 \label{sec:shuttle_jog_wheels_editing}
 \index{shuttle pro v2 and shuttlexpress}
 

-The ShuttlePROv2 and ShuttleXpress are affordable jog wheels which
+The ShuttlePROv2 and ShuttleXpress are affordable jog wheels\protect\footnote{programmatic specifications from Eric Messick} which

 can be useful for working with Cin, especially if you do a lot of
 playing forward/backward, fast/slow/normal, and single frames
 (figure~\ref{fig:shuttle}).
 can be useful for working with Cin, especially if you do a lot of
 playing forward/backward, fast/slow/normal, and single frames
 (figure~\ref{fig:shuttle}).