update atempo plugins

[goodguy/cin-manual-latex.git] / parts / Plugins.tex

diff --git a/parts/Plugins.tex b/parts/Plugins.tex
index 6878965eb2b62afd73e7cd378188dad194136823..d1fab4b7cb6a8e4942268a5eafedfa07cabf2570 100644 (file)
--- a/parts/Plugins.tex
+++ b/parts/Plugins.tex
@@ -192,6 +192,15 @@ To get a short one or a few lines description of a plugin, mouse over that plugi
     \label{fig:info-effect}
 \end{figure}
 
+\textit{Context Help} provides more detailed information about the plugin in 4 possible
+ways using the Alt/h hotkey combination. 
+\begin{enumerate}
+        \item Pressing \texttt{Alt/h} with the mouse in the dialog window of that plugin's settings menu.
+        \item Pressing \texttt{Alt/h} while pointing with the mouse on the plugin bar in a track, transition bar, or transition icon.
+        \item Pressing \texttt{Alt/h} while pointing on the plugin name (icon) in the Resources window. If plugin tooltips are on, help for the highlighted plugin under the mouse is shown. If plugin tooltips are off, help for the selected plugin is shown.
+        \item Pressing \texttt{Alt/h} while pointing on the plugin name in the \textit{Attach Effect} dialog menu.
+\end{enumerate}
+
 \subsection{Delete Plugins to save Resources Space or make them Unavailable}%
 \label{sub:delete_plugin_resouces_unavaible}
 
@@ -1930,7 +1939,7 @@ Curves are generally adjusted by introducing several control points, some to be
 
 The most used type of modification is to create a \textit{S curve}. There can be a lot of shapes that use the S curve; the simplest is to create a control point in the shadows, one in the midtones (anchors) and one in the highlights. Moving the highlight point upwards and the shadow point downwards increases the contrast, making the image sharper and improving the color rendering. With the type of \textit{linear} curve you can make hard adjustments, similar to the result of the use of \textit{Color 3 Way}, even if this acts on the color wheel (Hue) while the curves act on individual RGB channels.
 
-The \textit{Polynomial} and \textit{Bézier} types introduce \textit{control handles} that allow for more sophisticated and smoother adjustments. The quality of the result is much better, but they require more experience for their optimal use. Extending the handles away from the control point increases the \textit{radius} of the curve at that point. By varying the angle of the handles we change the \textit{tangent} and thus the curvature of the curve below. The difference between Polynomial and Bézier lies in the underlying mathematics, but for practical purposes the use is similar.
+The \textit{Polynomial} and \textit{Bézier} types introduce \textit{control handles} that allow for more sophisticated and smoother adjustments. The quality of the result is much better, but they require more experience for their optimal use. By varying the angle of the handles we change the \textit{tangent} and thus the slope of the curve below. Unlike true Bezier curves, there is no effect in extending the handles: there is no change in the radius of the curve. The difference between Polynomial and Bézier lies in the underlying mathematics, but for practical purposes the use is similar. By default Bézier starts with a slight S-curve, as opposed to Polynomial.
 
 Some examples of the use of curves to demonstrate the variety of possible interventions (figure~\ref{fig:ex-bezier}):
 
@@ -2143,7 +2152,7 @@ To save time the motion result can be saved in a file for later reuse, recalled
        \label{fig:motion}
 \end{figure}
 
-Motion tracking parameters:
+Motion tracking parameters\protect\footnote{credit Georgy (sge)}:
 
 \begin{description}
     \item[Track translation] Enables translation operations. The motion tracker tracks $X$ and $Y$ motion in the \textit{master} layer and adjusts $X$ and $Y$ motion in the \textit{target} layer.
@@ -4041,7 +4050,10 @@ The following is a list of the integrated audio plug-ins\protect\footnote{credit
 \item [F\_astats]~\\Shows time domain statistics about audio
   frames.
 \item [F\_asubboost]~\\Boost subwoofer frequencies.
-\item [F\_atempo]~\\Adjusts audio tempo.
+\item [F\_atempo]~\\Adjusts audio tempo so that when you speed up audio, it will
+adjust the pitch accordingly to make audio sounds more normal, but faster without
+being badly distorted. Its behavior is similar to what can be seen when you watch
+a youtube video, click the gear icon, and select a speed greater or less than 1.
 \item [F\_atrim]~\\Pick one continuous section from the input,
   drop the rest.
 \item [F\_bandpass]~\\Applies a two-pole Butterworth band-pass
@@ -4423,6 +4435,10 @@ If the scale factor is $2$, every $2$ input samples will be reduced to $1$ outpu
 \subsubsection*{Time Stretch}%
 \label{ssub:time_stretch}
 
+\subsubsection*{CD Ripper}%
+\label{ssub:cd_ripper}
+
+
 \subsection{Rendered Video Effects}%
 \label{sub:renederd_video_effets}
 
@@ -4443,9 +4459,6 @@ To create a slow-motion of fast moving video:
     \item At the popup menu, enter the \textit{scale factor} $2$ to run twice as fast, and $0.5$ to run at half speed.
 \end{itemize}
 
-\subsubsection*{CD Ripper}%
-\label{ssub:cd_ripper}
-
 \subsubsection*{720 to 480}%
 \label{ssub:720_to_480}