MatN review and Andrea fixes

[goodguy/cin-manual-latex.git] / parts / Real-World.tex

diff --git a/parts/Real-World.tex b/parts/Real-World.tex
index 4ed2be6cffe87e2f4563699cfd9524fa1b15339f..16d67b935d77e1c2859358c835b51ecfd36575c8 100644 (file)
--- a/parts/Real-World.tex
+++ b/parts/Real-World.tex
@@ -4,7 +4,6 @@
 This appendix includes descriptions of various real life workflows used by \CGG{} users. There may be links to some video explanations in various languages.
 You can only follow these links from the online pdf version.
 
-
 \section{Workflow with OpenEDL and Nested Clips\protect\footnote{credit fary54}}%
 \label{sec:workflow_openedl_nested_clips}
 
@@ -17,13 +16,21 @@ an OpenEDL session for each clip. Using the OpenEDL timeline is similar to
  using the normal timeline: you can add effects, cut and drag, add or delete
 tracks, etc.
 
-For more information on OpenEDL and Nested clips see sections \nameref{sub:edit-edls} and \nameref{sub:nesting}.
+For more information on OpenEDL and Nested clips see sections \ref{sec:openedl} and \ref{sub:nested_clips}.
 
 Scenario setup consists of making one hour video using 3 different cameras:
 
 \begin{itemize}
-       \item \textit{Footage 1:} A person uses camera 1 to shoot a general view of the subject (e.g. a jazz group concert).
-       \item \textit{Footage 2:} Another person uses camera 2 to film a detail of a specific subject (e.g. saxophonist or trumpet player).
+       \item \textit{Footage 1:} A person uses camera 1 to shoot a general view of the subject.
+       \begin{enumerate}
+               \item[a)] Barcelona (e.g. a jazz group concert)
+               \item[b)] Lisbon (e.g. spanish concert)
+       \end{enumerate}
+       \item \textit{Footage 2:} Another person uses camera 2 to film a detail of a specific subject.
+       \begin{enumerate}
+               \item[a)] Barcelona (e.g. saxophonist or trumpet player)
+               \item[b)] Lisbon (e.g. guitarist or double bassist)
+       \end{enumerate}
        \item \textit{Footage 3:} Contains images of the journey between the subjects (action cam on the windshield of a moving car, on the helmet of a biker, on the handlebars of a bicycle, or on a boat).
 \end{itemize}
 
@@ -156,13 +163,9 @@ All that remains is mastering the video with a render.
 
 Ordinarily it it is very difficult to set up such a project but using tools such as OpenEDL and Nested clips makes it quite easy. These tools, in many cases, are essential and become standards for the development of important projects using \CGG{}.
 
-\subsubsection*{Important Notes}
-\label{ssub:important_notes}
+\paragraph{Note}
 
-\begin{itemize}
-       \item It is recommended that you save your project, not inside an OpenEDL, but rather after you exit openEDL and are on the main timeline.
-       \item Once converted to nest to media the clips disappear from the clips folder to end up in the media folder. You can always, if you wish to recover it in the clips folder do so via the \textit{EDL to clip} menu. In this case, the name of the clip can change but the reference of the clip can be found in the comment of the clip.
-\end{itemize}
+Once converted to nest to media the clips disappear from the clips folder to end up in the media folder. You can always, if you wish to recover it in the clips folder do so via the \textit{EDL to clip} menu. In this case, the name of the clip can change but the reference of the clip can be found in the comment of the clip.
 
 See \href{https://youtu.be/bfYaBqVbdCo}{Video 4} (using French locale).